A short account that paints a thorough and vivid portrait of one man’s American life.
A memoir chronicles a teacher’s youth in the Midwest and his struggles as an adult.
Debut author Baxter was born in 1948 in Kansas. His childhood was a happy one, thanks in no small part to his grandmother Younkin. Grandma was a retired English teacher with a fondness for literature, rocking chairs, and canasta. The book encompasses a number of vignettes from the author’s younger days, including the time in 1956 that his father caught him stealing hubcaps from car tires and how in 1965 he participated in a prank involving potassium from a chemistry class. He met his wife as a freshman at the University of Kansas. He eventually decided to follow in the footsteps of his grandmother and became a high school English teacher. The career path was not always easy. The author learned the hard way that his own love of books would not carry over to his students through “osmosis.” Recollections from the author’s adult years become more fraught. He writes of how, in retrospect, he always felt a separation from his mother, asserting: “I know I was loved, but it was from a distance.” He became overweight. At one of his children’s soccer games, a man in a NASCAR hat called him “fatty.” He explained to his therapist that he had the feeling of a kind of black hole overtaking him. And then there was the death of his first son, Jordan, in infancy. The author explains how “the memory of Jordan’s short life still fills my eyes with a juxtaposition of smiles and tears.” It is just such a juxtaposition that is at the heart of this slender volume (under 100 pages). The book consists of chapters that are rarely more than a few pages long. Readers get an inkling of some of Baxter’s worst and best times without too much lingering on either category. The outcome is certainly a breezy read, though some points could have used greater elaboration. For instance, the author mentions being a teacher in 1999 at the time of the Columbine High School shootings. Although the senselessness of the event disturbed him in obvious ways, it would have been informative to learn more. What was the discussion like in his workplace? What did he tell his students? Were his fellow teachers worried? Nevertheless, the memoir’s brevity is also a wonderful asset. No words are wasted on complicated family origin stories, minor triumphs that do not translate well on the page (for example, a promotion at work), or other miscellaneous events that would be of limited interest to readers. The audience is instead given choice segments of Baxter’s very personal experiences. The author points out that “humanity resides in minute details,” and it is just such specifics that fill the pages without overburdening them.
A short account that paints a thorough and vivid portrait of one man’s American life.Pub Date: Feb. 5, 2018
ISBN: 978-1-4809-5001-6
Page Count: 86
Publisher: Dorrance Publishing Co.
Review Posted Online: Aug. 22, 2019
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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