Wiesel’s memoir, first published in English in 1960, has emerged as a classic work of literature from that darkest of eras,...
A reissue of Wiesel’s (Open Heart, 2012, etc.) foundational, exemplary memoir of the Holocaust.
Even though bracketed by post-mortem appreciations by Barack Obama, genocide scholar and former U.N. ambassador Samantha Power, and Wiesel’s son Elisha and including Wiesel’s Nobel Prize acceptance speech and lecture and a commemorative address before the U.N., Night is a slender book, just a shade more than 100 pages long. But it packs a whole world—perhaps better, a whole inferno—into that brief span, much trimmed from a draft reported to be eight times longer. As the memoir opens, Wiesel is a schoolboy in a Transylvanian town, studying with a wise scholar named Moishe the Beadle, who liked to say, “Man comes closer to God through the questions he asks Him.” The great question that emerges as events sweep in, brought to Sighet on German troop transports and Hungarian police vans, is, of course, why? No fully satisfactory answer ever emerges from Wiesel’s tour of the hell that ensues, as the ghetto—“ruled by neither German nor Jew; it was ruled by delusion”—gives way to the concentration camp and its endless brutalities, administered by Germans and kapos alike. As he recounts the flight before the advancing Red Army deep into a collapsing Germany, Wiesel draws on the voices of many of his fellow inmates, one of whom memorably says of Adolf Hitler, “he alone has kept his promises, all his promises, to the Jewish people.” Only the promise of utter extermination goes unfulfilled, leaving the author to contemplate the dead man walking that he has become when the camp is finally liberated: “The look in his eyes as he gazed at me has never left me.”
Wiesel’s memoir, first published in English in 1960, has emerged as a classic work of literature from that darkest of eras, and it deserves to be read and reread for decades to come.Pub Date: Sept. 12, 2017
ISBN: 978-0-374-22199-7
Page Count: 176
Publisher: Hill and Wang/Farrar, Straus and Giroux
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
