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AT THE EXISTENTIALIST CAFÉ

FREEDOM, BEING, AND APRICOT COCKTAILS WITH JEAN-PAUL SARTRE, SIMONE DE BEAUVOIR, ALBERT CAMUS, MARTIN HEIDEGGER, MAURICE MERLEAU-PONTY AND OTHERS

A fresh, invigorating look into complex minds and a unique time and place.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • Kirkus Prize
  • Kirkus Prize
    finalist

Days in the lives of influential philosophers.

In this brisk and perceptive intellectual history, Bakewell (Masters of Studies in Creative Writing/Kellogg Coll., Univ. of Oxford; How to Live: Or a Life of Montaigne in One Question and Twenty Attempts at an Answer, 2010, etc.) focuses on a diverse cast of men and women who, beginning in the 1930s, worried over questions of freedom, authenticity, anxiety, and commitment, creating the movement that came to be known as existentialism. Their antecedents were Nietzsche and Kierkegaard, who “pioneered a mood of rebellion and dissatisfaction, created a new definition of existence as choice, action and self-assertion, and made a study of the anguish and difficulty of life.” Dominating Bakewell’s narrative are Jean-Paul Sartre and Simone de Beauvoir, lovers and “compulsive communicators” of every detail of their work. Sartre, appealingly fun-loving (he played piano and sang jazz hits) in his youth, became “monstrous” as he aged: “self-indulgent, demanding, bad-tempered. He was a sex addict who didn’t even enjoy sex, a man who would walk away from friendships saying he felt no regret.” Bakewell was surprised at how much affection she felt for him despite his faults. Certainly he was more likable than Martin Heidegger, who “set himself against the philosophy of humanism and…was rarely humane in his behaviour.” As the author reveals historical context for the philosophers’ work—prewar Paris; the Nazi occupation; postwar debates among internationalists, pro-Americans, and communists—she explains the significance of cafes: “they were the best places to keep warm” for those who lived in cheap, unheated hotel rooms. Albert Camus, Hannah Arendt, Iris Murdoch (Britain’s first popularizer of existentialism), James Baldwin, actress Juliette Gréco, and Emmanuel Levinas are just a few featured in this well-populated book, whose hero, Bakewell writes, is phenomenologist Maurice Merleau-Ponty, “the happy philosopher of things as they are.”

A fresh, invigorating look into complex minds and a unique time and place.

Pub Date: March 1, 2016

ISBN: 978-1-59051-488-7

Page Count: 448

Publisher: Other Press

Review Posted Online: Nov. 28, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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