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IN THE DARKROOM

A moving and penetrating inquiry into manifold struggles for identity, community, and authenticity.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • Kirkus Prize
  • Kirkus Prize
    winner


  • Pulitzer Prize Finalist

A Pulitzer Prize–winning journalist investigates the “fluidity and binaries” of “modern transsexuality.”

In 2004, after hardly any contact with her father for 25 years, Faludi (The Terror Dream: Fear and Fantasy in Post–9/11 America, 2007, etc.) received an email from her, announcing that she had undergone gender reassignment surgery in Thailand. Steven Faludi was now Stefánie. “I have decided that I have had enough of impersonating a macho aggressive man that I have never been inside,” she explained. Aggression is what her daughter remembered: Steven had been an “imperious patriarch, overbearing and autocratic” during the author's childhood. Now she reached out to her, inviting the author to write her story. The author’s discoveries about her elusive, mysterious, dissembling father are central to this gripping exploration of sexual, national, and ethnic identity. Steven grew up in Hungary in a wealthy Jewish family that owned two apartment houses. After World War I, when the nation lost more than half of its population and landmass in a peace agreement, anti-Semitism surged, intensifying during World War II. To save his parents from extermination, Steven impersonated a member of the violent Arrow Cross and led them to safety. Moving to Brazil and later to the United States, he married and had two children. He was roiled when his wife sued for divorce. “As both European Jew and American Dad,” the author writes, “my father’s manhood had been doubted, distorted, and besmirched.” “Now, as a woman, women like me more,” she said. A professional photographer deft at manipulating images, Stefánie proved just as deft in revising her biography, challenging Faludi to ferret out truths from her many lies. The writer communicated with relatives, her father’s few friends, and surgeon; transgender females, in interviews and memoirs, share their often disturbing life stories.

A moving and penetrating inquiry into manifold struggles for identity, community, and authenticity.

Pub Date: June 14, 2016

ISBN: 978-0-8050-8908-0

Page Count: 432

Publisher: Metropolitan/Henry Holt

Review Posted Online: April 18, 2016

Kirkus Reviews Issue: May 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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