A taut, chilling novel about the weaponization of language as a tool of oppression.
In Lau’s dark, provocative debut about two Chinese language teachers in an increasingly suppressed Hong Kong, politics becomes personal.
Two months after Wai’s gruesome suicide by an electric drill, her cubicle remains untouched. Even the bizarre mirrors that cover her desk and bookcase stay in place, a sight that the other teachers in the Chinese department at the Sing Din Secondary School avoid. But Ling, who sat closest to Wai, is reminded every afternoon when the sea of mirrors reflects the glare of the sunlight. Her life has changed dramatically since Wai’s death; forced to teach Wai’s classes, Ling finds that her workload has increased to the point that “she didn’t leave school until eight or nine o’clock each night.” Worse, her principal is pressuring her to take the LPAT, a test used to measure Chinese language teachers’ ability to teach in Mandarin. Many schools in Hong Kong are switching from teaching in the native Cantonese to the Mandarin of the Chinese mainland. The principal warns, “Competition is fierce. Ling, you’re smart. You understand what I’m getting at.” The author skillfully toggles the narrative between the present and the past to contrast the two teachers’ approaches to an unavoidable professional challenge. Awkward Wai alienates her colleagues by insisting on speaking Mandarin in staff meetings. Clever Ling’s social savviness, which enabled her to coast at the school for 10 years, is no longer enough to save her from mirroring her colleague’s downward spiral—unless she makes a radical change. The use of mirrors (the word is repeated more than 100 times throughout the novel) is a powerful metaphor, not only for Ling’s lack of self-reflection but also for a society that values surface appearances (designer brands and plastic surgery are popular topics of discussion in the teachers’ office). Translator Feeley’s concluding essay offers insightful context on Hong Kong’s current political situation.
A taut, chilling novel about the weaponization of language as a tool of oppression.Pub Date: June 11, 2024
ISBN: 978-1-55861-318-8
Page Count: 280
Publisher: Feminist Press
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Fast-moving fun and a highly creative plot.
Bloody murder spoils folks’ fun while megafauna return from extinction.
What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.
Fast-moving fun and a highly creative plot.Pub Date: April 23, 2024
ISBN: 9780765317704
Page Count: 384
Publisher: Forge
Review Posted Online: Feb. 12, 2024
Kirkus Reviews Issue: March 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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