A heartfelt tribute to the author’s late husband and a captivating reflection on this pivotal era in American politics.
The renowned presidential historian delves into the Kennedy and Johnson eras, drawing from the archives and personal insights of her husband, a former speechwriter for both leaders.
In the years before Richard “Dick” Goodwin's death in 2018, he and his wife, Kearns Goodwin, embarked on an ambitious project that unfolded into a poignant journey through time. Together, they delved into Dick's extensive trove of personal memorabilia, comprising diaries, letters, and countless documents housed in hundreds of boxes—a testament to his devoted service in both administrations. Upon reflection, moments of conflicting insights and assessments of the two presidents occasionally surfaced, notably in the case of Johnson, with whom the author collaborated after his term in office. Their conversations laid the groundwork for her debut book, Lyndon Johnson and the American Dream. In earlier years, Dick had skillfully crafted many of Johnson's most significant speeches, commemorating historic bills such as the 1965 Voting Rights Act, which contained the iconic words, "We Shall Overcome.” As the author writes, “we experienced the man at different times—Dick at the height of the Sixties, me toward the end of the decade and the end of Lyndon Johnson’s life. And during that decade of the Sixties, he so changed both our lives that here we were, in our seventies and eighties, still arguing, bantering, and trying to come to terms with his enormous impact on us and on the country.” Resigning from Johnson's administration in 1965, Dick transitioned to teaching roles at various institutions and authoring numerous books and articles. However, it’s this earlier career phase that ignited the fecund author's imagination, serving as the foundation for how their perspectives on the trajectory of politics and the nation had shifted.
A heartfelt tribute to the author’s late husband and a captivating reflection on this pivotal era in American politics.Pub Date: April 16, 2024
ISBN: 9781982108663
Page Count: 496
Publisher: Simon & Schuster
Review Posted Online: Feb. 1, 2024
Kirkus Reviews Issue: March 1, 2024
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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