A somewhat ridiculous novel, nicely marbled with fine food and travel writing.
A stiff, lonely young woman takes a life-changing trip to Paris.
After suffering a miserable childhood at the hands of her narcissistic mother, Stella St. Vincent is surprised to receive an envelope labeled “For My Daughter” after Celia’s death in 1983. In it is a piece of paper that says “Go to Paris”; the money to pay for the trip will only be released after it’s booked. This is just the beginning of a silly story with a wildly overcaffeinated plot and characters that are not even close to real people, foremost among them an annoying protagonist who can’t stop shooting herself in the foot even as she miraculously finds her tribe and discovers her extraordinary gifts for eating and cooking. Though she lacks the instincts of a fiction writer, Reichl fills her second novel with the high-flying writing about food, wine, places, and clothes that have made her nonfiction work a well-deserved success. In fact, according to an author’s note, this book grew out of her editor’s request that she expand a chapter from her memoir about trying on a little black dress in Paris. Unfortunately, a few too many ingredients have been added, including a search for a forgotten 19th-century woman painter; appearances by culinary figures like Marc Meneau and Jean Troisgros and literary figures like John Ashbery, James Baldwin, and Allen Ginsberg; a nasty Mr. Darcy–style love interest; and the search for Stella’s father, whom she either does or doesn’t want to find depending on the page. But the food writing is almost worth the price of admission, ranging from the horrific to the euphoric. Here’s Stella eating ortolans, whole baby birds: “All her senses were concentrated in her mouth as her teeth crashed down again and again. She felt the skull crackle and tasted what must be brain. It was hot, it was primitive. It was exciting.”
A somewhat ridiculous novel, nicely marbled with fine food and travel writing.Pub Date: April 30, 2024
ISBN: 9780812996302
Page Count: 288
Publisher: Random House
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
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