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COURTING THE SUN

An absorbing tale set in Louis XIV’s France.

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A beautiful young country girl navigates the perilous corridors of the court of the Sun King in Williams’ historical novel.

In late-17th-century France, when the reign of Louis XIV is at the pinnacle of its splendor, beautiful 16-year-old country girl Sylvienne d’Aubert’s life is transformed by a totally unexpected summons to join the glittering court of the Sun King as a lady-in-waiting. Raised by a single mother and educated by nuns, Sylvienne has grown up in modest comfort, almost entirely ignorant of her own origins. Not long before the king’s invitation arrives, she’s shocked to learn that her mother was the illegitimate daughter of the king’s uncle, and that her own father had been a local lord whose estate, upon his accidental death, was seized by a scheming brother. Now living in a servant’s cottage on a modest pension and considering marriage to a kind young shoemaker, Sylvienne is suddenly uprooted and finds herself alone at the very epicenter of French politics and society. Arriving at the Palais de Tuileries, the king’s residence in Paris, Sylvienne is overwhelmed by the magnificence of her new surroundings: “My eyes were drawn to the gilded ceiling embedded with opulent paintings. Now I was gawking. Chandeliers and wall sconces illuminated portraits of royal ancestors.” But as Sylvienne serves the king’s favorite mistress, the beautiful Madame de Montespan, she must fend off a lascivious nobleman, brave the sometimes-vicious intrigues of the court, and steel herself against the glare of the popular press. Williams’ knowledge of the period is thorough, and the novel’s setting in the royal court is clearly drawn and always compelling. The author provides readers with a strong and intriguing central character whose growth toward self-realization is one of the novel’s principal strengths. While the narrative sometimes dwells too much on ambience at the expense of a fast-moving plot, readers of historical fiction will no doubt enjoy the novel’s authentic and seductive atmosphere.

An absorbing tale set in Louis XIV’s France.

Pub Date: today

ISBN: 9781685134129

Page Count: 388

Publisher: Black Rose Writing

Review Posted Online: April 24, 2024

Kirkus Reviews Issue: June 15, 2024

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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