A somber and important novel highlighting the experiences of German Jewish women during the Holocaust.
A missing piece of family history is memorialized in Suchman’s historical novel, a tribute to the lives lost during the Holocaust.
The book opens with a nonfiction prologue: In 2018, the author and her husband, Bruce, missed their connecting flight through Frankfurt to Washington, D.C. With 12 hours to kill, they explored the city. Bruce’s father, Curtis, fled the region at 17 to escape the Nazis; the couple found a plaque (a stolpersteine, known in English as a stumbling stone) dedicated to Emma and Selma Heppenheimer, Bruce’s great-grandmother and great-aunt. But missing from the stone was the name of another great aunt: Alice. It is here that Suchman moves into the novel proper, using her extensive research into Alice’s life to fictionalize her story. Beginning in 1920 and ending during World War II, Suchman’s narrative covers more than two decades as she imagines how this Jewish woman endured her experiences as Nazi ideology and politics took hold of Germany and controlled and suppressed so many aspects of her life. Readers first meet Alice in Nuremberg on the eve of her wedding to Ludwig Adler. A graduate of the Nuremberg Arts and Crafts School with dreams of opening her own fashion studio, Alice begins an apprenticeship in a handbag factory, and it is here that her first true experiences with antisemitism begin. Suchman writes of Alice’s experiences in a powerful way; readers see a young woman come of age and find her place in the world, unable to find firm footing because of the events taking place around her. Short, emphatic statements, such as Alice’s reaction to discovering the identity of a co-worker leaving derogatory notes for her (“surely, he couldn’t hate her if he actually knew her”), emphasize the horrific dehumanization of ordinary people just for being Jewish. Extremely readable with close attention paid to both wider historical and intimate family details, Suchman’s tale serves as a monument in words.
A somber and important novel highlighting the experiences of German Jewish women during the Holocaust.Pub Date: today
ISBN: 9781685134105
Page Count: 286
Publisher: Black Rose Writing
Review Posted Online: March 25, 2024
Kirkus Reviews Issue: May 15, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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