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CHU'S FIRST DAY OF SCHOOL

Overlooking (again) the association of Chinese names with a tired joke, this may put a few first-day fears to rest, and it...

Gaiman continues his sneeze pun in this look at a worried panda cub’s first day of school.

Chu’s expressed school worries are limited to “What will happen?” “Will they be nice?” and “Will they like me?” though the new student’s concerns (and his posture and facial expressions) will be familiar to any child facing school for the first time. Chu’s new teacher has a “friendly face,” and his animal classmates—ranging from a rhino and a giraffe down to a crab, a snake and a snail—all seem nice. The first activity the class does is to sit in a circle and tell their new friends their names and what they love to do best; the teacher writes their names on the chalkboard. (Fans of Chu’s Day will see the punch line coming.) Their talents and things they love are wide-ranging—climbing trees, singing, reading books—but none is as unusual as Chu’s. After two wordless double-page spreads depicting both the post-sneeze surprise and destruction and subsequent recovery and delight, Chu drolly says, “That’s what I do.” Rex’s oil-and–mixed-media illustrations capture the complex feelings that accompany the first day of school, and Chu is believable when he tells his parents, “I’m not worried anymore.”

Overlooking (again) the association of Chinese names with a tired joke, this may put a few first-day fears to rest, and it will probably also cause some tension-relieving laughter. (Picture book. 4-7)

Pub Date: June 24, 2014

ISBN: 978-0-06-222397-5

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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