Hurray for the underdog.
Heart (-shaped surface feature) literally broken by its demotion from planet status, Pluto glumly conducts readers on a tour of the solar system.
You’d be bummed, too. Angrily rejecting the suggestions of “mean scientists” from Earth that “ice dwarf” or “plutoid” might serve as well (“Would you like to be called humanoid?”), Pluto drifts out of the Kuiper Belt to lead readers past the so-called “real” planets in succession. All sport faces with googly eyes in Keller’s bright illustrations, and distinct personalities, too—but also actual physical characteristics (“Neptune is pretty icy. And gassy. I’m not being mean, he just is”) that are supplemented by pages of “fun facts” at the end. Having fended off Saturn’s flirtation, endured Jupiter’s stormy reception (“Keep OFF THE GAS!”) and relentless mockery from the asteroids, and given Earth the cold shoulder, Pluto at last takes the sympathetic suggestion of Venus and Mercury to talk to the Sun. “She’s pretty bright.” A (what else?) warm welcome, plus our local star’s comforting reminders that every celestial body is unique (though “people talk about Uranus for reasons I don’t really want to get into”), and anyway, scientists are still arguing the matter because that’s what “science” is all about, mend Pluto’s heart at last: “Whatever I’m called, I’ll always be PLUTO!”
Hurray for the underdog. (afterword) (Informational picture book. 6-8)Pub Date: Nov. 12, 2019
ISBN: 978-1-5344-1453-2
Page Count: 48
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
Sweet art, cloying storyline.
Actor Andrews and her daughter Walton Hamilton pay tribute to the power of music.
The inhabitants of a small village are happy with “simple pleasures” until they commercialize to attract tourists…whereupon a dismal purple mist creeps in and thickens to the point that people stop visiting or even going outside. Then one day little Piccolino, who is helping his father dust the deserted opera house, plinks out a tune on the piano…and notices that the palms in the lobby look fresher. The brown-skinned pair proceed to gather wilting houseplants from all over town, park them in the auditorium seats, and call the orchestra members in for a concert. The plants flourish, the fog lifts, and throngs of villagers are drawn out into the streets by the music to dance and sing. Everyone realizes that “if they remained faithful to all that matters most, nothing could darken their days again.” In a closing note the authors state that they were inspired by an actual concert played in Barcelona in 2020 to an “audience” of plants—a piece of performance art more likely to stimulate discussion than this trite, sugary mess. The illustrations are one bright spot: MacKay places her gracefully posed, diverse figures in luminously hued scenes of narrow streets and neatly kept buildings perched on a steep hill and threaded with musical staves. (This book was reviewed digitally.)
Sweet art, cloying storyline. (Picture book. 6-8)Pub Date: Sept. 12, 2023
ISBN: 9781419763199
Page Count: 40
Publisher: Abrams
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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