by Emily Hughes ; illustrated by Emily Hughes ‧ RELEASE DATE: Aug. 11, 2015
A lovely visual tribute to the persistent hard work behind every flourishing garden.
A lad scarcely bigger than his pet worm struggles to maintain a large garden by himself.
The garden “didn’t look like much, / but it meant everything to its gardener. // It was his home. It was his supper. / It was his joy.” Lushly painted primordial plant forms surround the boy’s tiny thatched cottage; stylized depictions suggest proliferating invaders like thistle and plantain. As undesirables multiply and insects infest, the harvest worsens. The boy despairs: “he wasn’t much good at gardening. // … // He was just too little.” Dispatching an unheard wish for “a bit of help” into the night, the overworked lad sleeps for a month. His prized inspiration—a solitary red zinnia—also charms a “someone”—a full-sized, brown-skinned girl who lives nearby. “It was alive and wonderful. / It gave the someone hope. It made the someone want to work harder.” Several spreads showcase the transformation surrounding the slumbering boy as the girl weeds, sows, and transplants. The little gardener awakens to a colorful summer landscape of blooms, butterflies, even an increasing worm population. The narrative ends by coyly inverting its first lines: “He doesn’t look like much, but he means everything to his garden.” Given the girl’s major role, the contrivance doesn’t ring true. Hughes’ paintings trump her story, depicting the garden’s renewal through color and form.
A lovely visual tribute to the persistent hard work behind every flourishing garden. (Picture book. 3-7)Pub Date: Aug. 11, 2015
ISBN: 978-1-909263-43-7
Page Count: 40
Publisher: Flying Eye Books
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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