Hopefully this will spread around suburban neighborhood families just like Charlotte’s seeds.
In the war against weeds, there’s no match for a father’s love.
The front endpapers paint the setting perfectly: a suburban street of neat houses with lawns and shrubs manicured to within an inch of their lives, the adult caretakers grooming them while their children play. A turn of the page, and Daddy is reacting with consternation as he spies “something scary on his perfect lawn.” He’s too late, though: His daughter, Sweetie, has adopted the weed—sorry, flower—as her best friend, “Charlotte.” “Daddy hoped his friends wouldn’t notice.” But they do. And they pressure Daddy to take care of the weed that threatens the whole species-diverse neighborhood. But though he tries numerous times (“book time,” naptime) and in numerous ways (shovel, mower), Sweetie is somehow “always there” with Charlotte. The neighbors add more pressure; Daddy’s tactics grow wilder. And then Sweetie leaves for swim lessons: the perfect opportunity. But Daddy chokes. When something is suddenly “WRONG” with Charlotte, Daddy looks into his daughter’s teary eyes and knows what he must do. And the rear endpapers show that the neighborhood tough-guy talk was just that, the fathers now joining their children in their play, dots of yellow on their lawns. The digital illustrations are a riot, both Daddy’s obsession and Sweetie’s sweetness and innocence coming through loud and clear.
Hopefully this will spread around suburban neighborhood families just like Charlotte’s seeds. (Picture book. 4-8)Pub Date: April 2, 2019
ISBN: 978-0-316-36295-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 11, 2019
Kirkus Reviews Issue: April 1, 2019
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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