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MISSING WHITE WOMAN

Clunky prose and illogical plot holes will disappoint Garrett’s fans.

Garrett’s latest thriller targets the insidious impact of influencer culture, as seen through the eyes of a Black woman.

Baltimore-based Breanna Wright is at the “let’s take a trip” stage in her budding relationship with Ty Franklin, her first serious boyfriend in more than a decade. When he invites her to spend a long weekend with him at a luxurious Airbnb townhouse in Jersey City, where his company is based, Bree jumps at the chance. But her romantic getaway turns into a nightmare when Bree descends the stairs on her final morning to discover the bloodied body of a white woman in the foyer and Ty gone. Could the victim be Janelle Becket, a beautiful blond dog walker whose disappearance the previous week has dominated the video postings of TikTok makeup influencer Billie Regan? When the police question Bree, she is frozen with fear—the result of a traumatic encounter with law enforcement years earlier—until Adore Smith, her estranged college best friend turned successful attorney, sweeps in to take charge. Garrett does a good job of capturing the online mob mentality that explodes as suspicion falls on both the missing Ty (“A dead white woman. A missing Black man”) and on Bree (who gets doxxed in an act of guilt by association). But what could have been a razor-sharp, suspenseful tale about racial profiling gets bogged down in a plodding storyline that follows Bree as she checks in and out of hotels, sleuths by scrolling social media on her phone, and indulges in banal conversations with Uber drivers and hotel clerks. Bree is also a frustrating protagonist who continually ignores her friend’s smart advice; indeed, the stylish and ambitious Adore is the most compelling and vividly drawn character in the novel.

Clunky prose and illogical plot holes will disappoint Garrett’s fans.

Pub Date: April 30, 2024

ISBN: 9780316256971

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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EXTINCTION

Fast-moving fun and a highly creative plot.

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Bloody murder spoils folks’ fun while megafauna return from extinction.

What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.

Fast-moving fun and a highly creative plot.

Pub Date: April 23, 2024

ISBN: 9780765317704

Page Count: 384

Publisher: Forge

Review Posted Online: Feb. 12, 2024

Kirkus Reviews Issue: March 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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