An entertaining mix of SF and corporate intrigue that pits futuristic gizmos and ancient wisdom against authoritarian...
Righteous hackers guided by Hindu philosophy battle a sinister mind-control device in Berman’s speculative thriller.
The author depicts a future in which the United States is under the tyrannical rule of a nameless dictator, with democracy holding on in the breakaway nation of California. The plot centers on a “pod” of six employees of the Silicon Valley video game company HastinSys who live together on a Bay Area farm. They include emotionally fragile tech writer Darah Ahmadi; hotheaded coder Beers; levelheaded supercoder Jedd; and progressive ultracoder June. Their nemeses are a rival pod of marketing staffers named Kurt, Karin, and Keith who ruthlessly take over the coders’ penthouse office space and get them displaced to a smaller room. The coders discover that the ‘Ks’ are working with the dictator and his Russian backers to release the Happy App, which can subliminally program users’ brains. Repairing to their farm, the coders try to derail the plot by hacking the app. They are assisted by Ansirk, an unhoused, barefoot, flute-playing teen with an enigmatic smile whose name spelled backward approximates that of the Hindu god Krishna. He provides moral support and brainstorms a promising hacking strategy: They will alter the Happy App to impart the calming “soundless sound” of the primordial universe into users’ minds. The author sets her pastiche of the Sanskrit epic Mahabharata in a high-tech civilization—driverless flying cars and holograms abound—and a sleek corporate setting. The novel features nifty capers—Darah seduces a co-worker to plant a bug—along with engrossing procedural sequences, including Jedd’s creation of a virtual road trip to Canada to hide their whereabouts, complete with simulated pit stops and snack purchases. Along the way, Ansirk teaches ethics and advocates giving up control in limpid prose that’s replete with evocative metaphors (“You can go through life like a steering wheel, with your ego-mind running the show. Or you can go through life like [a self-driving vehicle], where your mind takes a back seat and you place your faith in the car’s power”). The result is an imaginative tale alive with captivating ideas.
An entertaining mix of SF and corporate intrigue that pits futuristic gizmos and ancient wisdom against authoritarian politics.Pub Date: April 2, 2024
ISBN: 9781684632305
Page Count: 336
Publisher: Manuscript
Review Posted Online: May 15, 2023
Review Program: Kirkus Indie
Fast-moving fun and a highly creative plot.
Bloody murder spoils folks’ fun while megafauna return from extinction.
What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.
Fast-moving fun and a highly creative plot.Pub Date: April 23, 2024
ISBN: 9780765317704
Page Count: 384
Publisher: Forge
Review Posted Online: Feb. 12, 2024
Kirkus Reviews Issue: March 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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