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MY FAVORITE PETS

BY GUS W. FOR MS. SMOLINSKI'S CLASS

Fans will want to emulate the style and voice of this funny homework saga. (Picture book. 5-8)

During the opening scene, in which Gus hands the teacher his report and a wrapped present, kindred spirits will suspect that there’s a story behind his extra-dazzling smile.

The protagonist lives on a farm with his parents, a younger brother, and 17 sheep. (Both humans and sheep are white.) His paper views the animals through his unique lens, starting with gender: “A girl sheep is a ewe. If you say, ‘Hey, Ewe,’ she won’t answer.” He describes trading his sibling for a lamb and trying to teach the flock how to skateboard. It is when he shepherds the lot into the house that chaos erupts. In combination with her preposterous situations, Birdsall’s deadpan narrative leaves plenty of room for Bliss to invent comedic scenes. Children will chuckle as the sheep wreak havoc: spaghetti-sauce tracks are traceable to the culprit sporting shades and underwear, a painting frames a bemused face, and sofa stuffing serves as dinner. The bucolic watercolor-and-ink compositions portray wooly creatures that are generally phlegmatic and brothers who enjoy comic books as much as they do their ovine companions. Text appears on old-school penmanship lines and in dialogue bubbles. To her credit (and despite losing a scarf to the cause), Ms. Smolinski seems to appreciate her student’s creativity and affection for his pets.

Fans will want to emulate the style and voice of this funny homework saga. (Picture book. 5-8)

Pub Date: July 5, 2016

ISBN: 978-0-385-75570-2

Page Count: 40

Publisher: Knopf

Review Posted Online: March 29, 2016

Kirkus Reviews Issue: April 15, 2016

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THE TRUTH ABOUT THE COUCH

Funny and thought provoking.

The hidden history of one of the world’s most popular pieces of furniture.

An anthropomorphized fox in a purple jacket and green pants stands on a stage, showcasing various kinds of sofas and what they’re used for: eating, sleeping, dance parties, and sliding down pillows. Just as the fox is about to provide a demonstration of that last activity, complete with a drawing, an opossum in a gray pinstriped suit emerges: “You can’t show that to children! Someone could break their neck!” Using a tape dispenser–like machine, the opossum covers up the offending image with a black censor bar. The fox continues to expose “truths” about couches: Some of them grow on farms (“Where do you think we got the term couch potato?”); they have an insatiable hunger, which leads to objects disappearing among the cushions; and some are actually aliens in disguise. The opossum is skeptical, but when a chaotic parade of couches enter the scene to prove the fox right, the opossum is forced to reconsider. This is a hilarious send-up of conspiracy theories and adults’ attempts to shelter children from the real world. Depicting elegantly attired creatures, Liniers’ muted artwork contrasts humorously with the surreal scenarios depicted. The dialogue between the fox and opossum is entertaining, but grown-ups might want to pre-read before read-alouds to avoid tripping over some phrasing (e.g., “secret elite couch enforcement squadron”).

Funny and thought provoking. (Picture book. 5-8)

Pub Date: April 23, 2024

ISBN: 9780593619131

Page Count: 48

Publisher: Putnam

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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