A breath of fresh air in its beauty and simplicity.
A retelling of an old Chinese folk tale emphasizes the goodness of its protagonist.
Young Tuan was orphaned as a little boy and raised by kindly neighbors who, when he is old enough, hire a matchmaker for him. The first match is no good, as their zodiacal symbols clash; the second founders on symbolic disagreement between their name characters. The third looks promising symbolically, but Tuan is just “too poor for her parents to approve.” Gathering cabbages by moonlight, Tuan spots a large snail and brings it home, keeping it in a jar and feeding it cabbage leaves. Over each of the next several days, Tuan arrives home to find his table set with a delicious dinner on it. Curious, he comes home early the next evening to discover a beautiful woman emerging from the snail’s jar; sent by the Lord of Heaven to look after him until he marries, she must now leave as she may not be gazed upon by mortals—but she leaves her shell behind, and it never runs out of rice. Hsyu’s retelling has a folkloric simplicity, planting just enough details to ground readers in the traditional tale. Pak’s mixed-media illustrations evoke a misty, long-ago agrarian China, his expressive, angular faces contrasting pleasingly with fluid, lovingly created backdrops. Although there is a concluding note on Chinese calligraphy, there is nothing to source the story itself.
A breath of fresh air in its beauty and simplicity. (Picture book/folk tale. 3-7)Pub Date: Nov. 11, 2014
ISBN: 978-1-909263-41-3
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: Oct. 5, 2014
Kirkus Reviews Issue: Oct. 15, 2014
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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