by Irene Latham & Charles Waters ‧ RELEASE DATE: Jan. 4, 2022
Enhanced by rich backmatter, this is a strong addition to literature about slavery.
A fictionalized account of the last slave ship to bring captives from Africa to the United States.
Despite the U.S. ban on the importation of enslaved labor, plantation owner Timothy Meaher bet that he could bring in a shipload of Africans. In 1860, a ship called the Clotilda, under the leadership of Capt. William Foster, sailed from Mobile, Alabama, to the kingdom of Dahomey. There, Foster purchased 110 people—including a 2-year-old girl—who had been captured by the king’s soldiers. Fourteen voices, including that of the ship, tell the tale of that journey across the Middle Passage and the years following their enslavement, first in the Alabama swamps, then on plantations, and finally in the free settlement of African Town (later renamed Africatown). The highly personal stories in verse reveal the different aspects of this illegal trade and the impact on both the Black enslaved people and the White crew members. Most well known is Kossola, who was long thought to be the last known survivor of the Atlantic slave trade. Latham and Waters use a different poetic form for each narrator, giving each a distinct personality. The Africans’ attempts to hold true to their home cultures and traditions—most were Yoruba—as they try to adapt to their new reality come across most powerfully.
Enhanced by rich backmatter, this is a strong addition to literature about slavery. (map, authors’ note, characters, Africatown today, timeline, glossary, poetry forms/styles, resources) (Verse novel. 12-18)Pub Date: Jan. 4, 2022
ISBN: 978-0-593-32288-8
Page Count: 448
Publisher: Putnam
Review Posted Online: Oct. 25, 2021
Kirkus Reviews Issue: Nov. 15, 2021
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by Jason Reynolds ‧ RELEASE DATE: Oct. 17, 2017
This astonishing book will generate much needed discussion.
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After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.
Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.
This astonishing book will generate much needed discussion. (Verse fiction. 12-adult)Pub Date: Oct. 17, 2017
ISBN: 978-1-4814-3825-4
Page Count: 320
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Stacey Lee ‧ RELEASE DATE: April 23, 2024
Riveting.
Sisters investigate the murder of rising film star Lulu Wong in this story set in L.A.’s Chinatown during the golden age of Hollywood.
After their father left home to undergo treatment for tuberculosis, 19-year-old May Chow and her 18-year-old sister, Gemma, took over his flower-selling business in order to support their family, which also includes 12-year-old Peony and Ma, who’s expecting a fourth child. With the country still gripped by economic depression, money is tight, and the girls’ meager earnings barely make ends meet. Making matters worse is news of a proposed train station in Chinatown that would effectively destroy the community. Thanks to prejudice and discrimination against Chinese Americans, influenced in part by negative media portrayals, the city council largely ignores residents’ concerns and opposition to the station. When May and Gemma stumble across Lulu’s body in an abandoned lot in Chinatown, the scandal fuels even more negative feelings toward the neighborhood. Aware that prejudice and police corruption might allow Lulu’s murderer to escape justice, Gemma decides to conduct her own investigation with help from Peony, a mystery novel aficionado, and May, whose sense of familial duty competes with her desire to honor her dear childhood friend Lulu. This twisty mystery, brought to life by a vibrant cast and abundant historical details, will keep readers in suspense until the very end. Themes of community, representation, and sisterhood add an emotionally satisfying element to the narrative.
Riveting. (author’s note) (Historical mystery. 13-18)Pub Date: April 23, 2024
ISBN: 9780593532041
Page Count: 400
Publisher: Putnam
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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