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THIS IS HOW IT ALWAYS IS

As thought-provoking a domestic novel as we have seen this year.

A big, brave, messy modern family struggles with the challenges of raising a transgender child.

“This is how it always is. You have to make these huge decisions on behalf of your kid, this tiny human whose fate and future is entirely in your hands, who trusts you to know what’s good and right and then to be able to make it happen. If…you make the wrong call, well, nothing less than your child’s entire future and happiness is at stake.” Claude Walsh-Adams is all of 3 years old when he announces what he wants to be when he grows up—a girl. It’s a particularly tricky case of “be careful what you wish for” for his doctor mom and novelist dad, already the parents of four boys when they roll the reproductive dice one last time. At home, barrettes and dresses are fine, but once he starts kindergarten as a boy, Claude becomes so miserable that, with the advice of a “multi-degree-social-working-therapist-magician,” his parents decide to let him become Poppy. “So, gender dysphoria,” says the bizarrely bouncy therapist. “Congratulations to you both! Mazel tov! How exciting!” The excitement takes a nasty turn when horrifying homophobic incidents convince Rosie that the family must leave Madison, Wisconsin, for the reputedly more enlightened Seattle, Washington. But rather than putting Seattle’s tolerance to the test, they keep Poppy’s identity a secret from even her closest friends, a decision that blows up in their faces when she hits puberty. Though well-plotted, well-researched, and unflaggingly interesting, the novel is cloying at times, with arch formulations, preachy pronouncements, and a running metafictional fairy tale. It’s worth putting up with the occasional too-much-ism for all the rest of what bright, brave author Frankel (Goodbye for Now, 2012) has to offer as the mother of a transgender second-grader in real life.

As thought-provoking a domestic novel as we have seen this year.

Pub Date: Jan. 24, 2017

ISBN: 978-1-250-08855-0

Page Count: 336

Publisher: Flatiron Books

Review Posted Online: Sept. 20, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE GREAT ALONE

A tour de force.

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  • New York Times Bestseller

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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