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DEMAGOGUE

THE LIFE AND LONG SHADOW OF SENATOR JOE MCCARTHY

A timely examination of a would-be savior whose name remains a byword for demagoguery.

A politically informed life of the crusading right-wing senator who saw a communist in every film studio, university, and military barracks.

Joseph McCarthy (1908-1957) began his career in the Senate in 1946 after a surprise victory in Wisconsin over the long-serving Robert La Follette Jr. As Boston-based journalist Tye, the author of biographies of Bobby Kennedy and Satchel Paige, writes, McCarthy ran a bruising campaign of “relentless messaging” as “a kick-’em-in-the-nuts type of candidate.” Decidedly out of his element in the staid confines of the Capitol, he quickly built a reputation, even among his fellow Republicans, as “a gasbag and a pretender.” An undisguised anti-Semite, he carved out a place for himself by teaming up with anti-communist (and Jewish) attorney Roy Cohn and launching a crusade against suspected communists in the government, including, he charged, untold thousands of agents in the State Department and other federal agencies and within the ranks of the armed services. That he did so while frequently hospitalized and treated with “morphine, codeine, Demerol, and other potent narcotics” to battle the alcoholism that would kill him was testimony to his scrappiness. Though notorious for bad judgment—including giving a pass to the Nazis who had murdered American prisoners of war at Malmedy, which, Tye writes, “was just a warm-up act”—McCarthy put the fear in his opponents and browbeat his fellow senators into giving him his lead until he finally took it a step too far in hearings against the U.S. Army. The author concludes his meaty narrative by linking the current occupant of the White House to McCarthy by means of Cohn, “the flesh-and-blood nexus between the senator and the president,” who taught Trump a cardinal lesson: If you say it often enough, loudly enough, and insistently enough, and frighten your listener while you do so, it becomes true—and, if only for a time, a guarantee of success for any tyrant.

A timely examination of a would-be savior whose name remains a byword for demagoguery.

Pub Date: July 7, 2020

ISBN: 978-1-328-95972-0

Page Count: 608

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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