These fledgling ghost busters and their adventures should enchant readers.
Three amiable, young ghost hunters learn lessons the hard way in this second installment of a middle-grade mystery series.
Pekin Dewlap grew up in the spirit world, able to see ghosts. But when the teenage Pekin hadn’t seen any since age 12, she missed the talent that made her feel special. So she started a ghost-busting business with her best friends, Amber and Scout. Later, Pekin developed a crush on Scout. In this second outing, the trio is recruited by the Dwyers, who wish to help their longtime ghost, a crying woman searching for her missing baby, to cross over. After talking with the Dwyers’ elderly neighbors, the Mastersons, the teens identify the spirit as Lily Grayson, who died during childbirth in the house. Shortly after Lily’s death, her husband, Ron, sold the place, then moved away with their infant daughter, Violet. But identifying Lily is only their first challenge. Lily reacts violently when Pekin tries to talk to her about Violet. Ron and Violet reject the team’s efforts to bring them to the Dwyers’ house. The friends then seek aid from their mentor, Mildew, and friendly ghost Miranda, whom they rescued in McCord’s (The Haunting of Elmwood Manor, 2019) series opener. This time out, the author shows the growth of Pekin, Amber, and Scout. Mildew offers them the opportunity to learn from her experiences, teaching them the tricks of the trade so they’re more prepared for danger. That promises to become even more important in future volumes, as McCord foreshadows Pekin’s starting to regain her paranormal ability. The friends also discover that every ghost requires different handling methods. On the personal side, while Amber is blissful in a relationship with jock Josh Parker, Pekin and Scout are stuck in romantic limbo, which interferes with their case until stress leads to a breakthrough. This sequel, with no villain, does lack the suspense of the first volume. And even though the ghost hunt only lasts a week, the pace seems too leisurely, with the teens having time for normal activities while on duty at the Dwyers’ home. Still, this charming mystery remains a step forward for the trio’s Ghost Company.
These fledgling ghost busters and their adventures should enchant readers.Pub Date: Oct. 29, 2019
ISBN: 978-1-947392-73-1
Page Count: 225
Publisher: Acorn Publishing
Review Posted Online: Jan. 17, 2020
Kirkus Reviews Issue: March 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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