by Brando Skyhorse ‧ RELEASE DATE: June 10, 2014
By turns funny and wrenching, the narrative is an unforgettable tour de force of memory, love and imagination.
A Mexican-American novelist’s wickedly compelling account of a dysfunctional childhood growing up “a full blooded American Indian brave” with five different fathers.
Skyhorse’s (The Madonnas of Echo Park, 2010) Mexican-born father left the family when the author was 3. Beautiful but prone to exaggeration, his mother, Maria, promptly renamed herself Running Deer and told her son that his father was an incarcerated Native American activist named Paul Skyhorse. While corresponding with her convict lover, the tempestuous Maria began bringing home a series of replacement fathers for her son who became “magicians, able to appear or disappear at will.” When the men finally left for good, each contributed to the hole in Skyhorse’s life that only “got bigger as [he] got older” and made him question his own ability to ever be a father himself. The stable but witheringly sharp-tongued center of the family home was Maria’s mother, June. While her daughter ran her own phone sex business and created the myths that substituted for Skyhorse’s true family history, June, a lesbian, “collect[ed] neighborhood stories and barter[ed] them” with everyone she knew. Guilt and anger kept the author emotionally tied to his mother even after he left home and Maria eventually died. He learned to accept himself as a Mexican “who happened to be raised as [his] mother’s kind of Indian,” but he struggled through broken relationships and bouts of depression. As he gathered up the shards of his life and began to make peace with all of his fathers, especially his biological one, Skyhorse realized the one truth that his storytelling mother and grandmother had known instinctively: that “stories [could] help you survive…and transform your life…from where you are into wherever you want to be.”
By turns funny and wrenching, the narrative is an unforgettable tour de force of memory, love and imagination.Pub Date: June 10, 2014
ISBN: 978-1-4391-7087-8
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: April 7, 2014
Kirkus Reviews Issue: May 1, 2014
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PROFILES
PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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