by Jang Jin-sung translated by Shirley Lee ‧ RELEASE DATE: May 13, 2014
An exciting escape closes this urgent, well-rendered attempt to penetrate North Korea’s cynical, criminal power strategy.
A defector of Kim Jong-il’s rarefied inner circle reveals the desperate, despicable machinations of North Korea’s police state.
“North Korea’s opacity is its greatest strength,” writes New Focus International editor in chief Jin-sung in this powerful, heart-rending tale of one young man’s ability to infiltrate the locus of power, then escape. At age 28, in 1999, upon the publication of his ingratiating epic poem “Spring Rests on the Gun Barrel of the Lord,” written for Kim Jong-il, Jin-sung earned a personal endorsement of the Great Leader and the privilege of immunity as one of the few “Admitted” in the upper cadre of the Organization and Guidance Department of the Workers’ Party, which wielded the real power behind the leader. As one of the revered “court poets” and an employee of the United Front Department, which comprised the party’s intelligence and propaganda hub, the author had access to all kinds of South Korean literature in his work of “localization,” which attempted to influence South Korea by imitating its “ways of thought.” His elevation also proved his downfall, however, as he began questioning the party line fed to him. A trip home to the provincial town of Sariwon, vastly changed in the 10 years since he had last been there and reeling from the collapse of the economy, opened his eyes. The people were dropping dead from famine, so poor that they were selling water to wash one’s face and cotton comforters made painstakingly from the filters of cigarette butts, while Jin-sung, the party elite, habitually received foreign rations when they had none. Against the rules, the author loaned a South Korean biography of Kim Jong-il to his trusted friend, the composer Hwang Young-min, but the book got lost, forcing the two to go on the lam to China.
An exciting escape closes this urgent, well-rendered attempt to penetrate North Korea’s cynical, criminal power strategy.Pub Date: May 13, 2014
ISBN: 978-1-4767-6655-3
Page Count: 304
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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BOOK REVIEW
by Joshua Davis ; adapted by Reyna Grande
BOOK REVIEW
edited by Reyna Grande & Sonia Guiñansaca
BOOK REVIEW
by Reyna Grande
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