by Rebecca Newberger Goldstein ‧ RELEASE DATE: March 4, 2014
Goldstein’s bright, ingenious philosophical romp makes Plato not only relevant to our times, but palpably alive.
Plato returns to 21st-century America in this witty, inventive, genre-bending work by MacArthur Fellow Goldstein (36 Arguments for the Existence of God: A Work of Fiction, 2010, etc.).
As the author imagines him, Plato is an intense, curious visitor from ancient Greece who is touring the country to promote his famous tract, The Republic. He lands first in Mountain View, Calif., where he is scheduled to speak to the staff of Google but gets waylaid by an employee who engages him in a conversation about truth, beauty, goodness and justice. That encounter inspires his interest in computers and the intellectual potential of Googling. He comes to love his Google Chromebook, but he cautions Google enthusiasts that information is not the same as knowledge. So what is knowledge? Why is philosophy relevant in contemporary life? What does it mean to live a good life? Those questions and more inform his conversations. Plato joins a panel at the 92nd Street Y to discuss child-rearing, countering the positions of a dour Freudian psychoanalyst and a self-proclaimed Tiger Mom. He takes a gig as a consultant to an advice columnist, offering responses to queries about love and sex; he has a stint on a cable news talk show with an interviewer (think Bill O’Reilly) who questions the whole enterprise of philosophy; and he submits to having his brain scanned in an MRI, even though he’s skeptical about what neurological maps can reveal about the essence of self. Throughout, he never loses his cool, bemused demeanor. Goldstein’s philosophical background serves her impressively in this reconsideration of Plato’s work, and her talent as a fiction writer animates her lively cast of characters: the arrogant, leering scientist in charge of a neurological research lab; the psycho-babbling advice columnist; the egotistical cable news interviewer.
Goldstein’s bright, ingenious philosophical romp makes Plato not only relevant to our times, but palpably alive.Pub Date: March 4, 2014
ISBN: 978-0-307-37819-4
Page Count: 464
Publisher: Pantheon
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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PROFILES
PERSPECTIVES
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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