by Evelyn Barish ‧ RELEASE DATE: March 17, 2014
An extraordinary story of a complex personality presented with a wise dose of irony and respect.
A riveting biography of master confidence man Paul de Man (1919–1983), manipulator of the facts and influential literary instructor—a character both preposterous and irresistible.
Barish (English/City Univ. of New York Graduate Center; Emerson: The Roots of Prophecy, 1989) leaves de Man’s deconstructionist contradictions mostly off to the side and concentrates on the wildly chameleonic personality and the upbringing of this charismatic character who eluded justice from Nazi-occupied Belgium and later fabricated his academic reputation at Harvard and elsewhere by wily connections and sheer boldness. The tale of de Man is not only the tangled trajectory of a psychically scarred young man from a deeply problematic family who saw an opportunity to advance himself through Nazi collaboration, but also the story of the striking gullibility of an American elitist intellectual milieu that never questioned his credentials due to its own postwar sense of inferiority compared to European literature. Barish gets underneath the objectionable journalistic pieces de Man wrote during the war and his skein of publishing embezzlements in Brussels by exploring the pattern of secrecy and shame in his own upper-middle-class Antwerp family: a depressed mother who hanged herself; a troubled older brother who was killed by an oncoming train; an uncle who was a high-ranking minister in Belgian government, advocating appeasement and anti-Semitism and whom Paul highly revered and passed off later as his father. De Man became an “intellectual entrepreneur,” autodidact, university dropout and superb bluffer who saw his chance to “take a place” in the new Nazi order. While his collaborationist colleagues were imprisoned after the war, de Man fled to the United States. His entry into intellectual circles, thanks to Mary McCarthy and Henry Kissinger, among others, allowed him immunity and a disguise as he forged a brilliant academic career.
An extraordinary story of a complex personality presented with a wise dose of irony and respect.Pub Date: March 17, 2014
ISBN: 978-0-87140-326-1
Page Count: 564
Publisher: Liveright/Norton
Review Posted Online: Dec. 13, 2013
Kirkus Reviews Issue: Jan. 1, 2014
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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