by Lucia Berlin ‧ RELEASE DATE: Nov. 6, 2018
An excellent start to understanding a writer and her work.
Tantalizing glimpses into the life of a recently-discovered writer.
More than a decade after Berlin (1936-2004) died, A Manual for Cleaning Women: Selected Stories was published, and she began to find readers (Manual was a finalist for the 2015 Kirkus Prize). In a biographical note that first appeared in Manual, Stephen Emerson writes that Berlin lived a "rather flamboyant existence." This book is certainly evidence of that. The first part is an unfinished memoir chronologically organized by the places she lived, with photographs from her son. It’s the story of a child, then woman, who lived an itinerant existence. Born in Alaska to a father who had to travel for work, the family moved to Idaho and then Kentucky, Montana, Idaho, Texas, and elsewhere. Berlin describes each home in exquisite, imagistic language, providing insights into how her unique writing style evolved. In Helena, a man’s cabin is “an unpainted hut, really, with windows that looked like eyes and a door that was a goofy crooked smile.” In a list of more than 30 of her residences, she crisply describes each—e.g., “House Edward Abbey had lived in. Only one burner worked. Filthy.” And later: “No catastrophe. So far.” A lengthy stay in Santiago, Chile, where she learned Spanish, went well, but her life was filled with hardship, alcoholism, drunken and addicted husbands, and money problems. There’s very little here about her reading and writing, but clearly, the life lived is the inspiration for her stories. The second part contains letters written from 1944 to 1965 revealing a conflicted, anguished young writer. Most are to friend and mentor Ed Dorn, the Black Mountain School poet. In college, she wrote Dorn about sudden ambitions, and in the same letter, “I’m just so fouled up.” In 1960: “I am so miserable. I have never been so afraid and unhappy….I believe…I am a writer…even believe that I am a good one.”
An excellent start to understanding a writer and her work.Pub Date: Nov. 6, 2018
ISBN: 978-0-374-28759-7
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Lucia Berlin
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by Lucia Berlin ; edited by Stephen Emerson
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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