by Alice McDermott ‧ RELEASE DATE: April 1, 1992
Following the author's splendid That Night (1987), this remarkable novel—about the temper and times of an Irish-American family in 1950's Long Island and Brooklyn—firmly establishes McDermott as a writer of major talent. Like Anglo-Irish novelist William Trevor, McDermott plots the touching dignity of ordinary lives pursued on the crest of inevitable sadness. Outside the wedding hall awaits the summons to the wake. Three school-age Dailey children—earnestly watching, like young animals training for survival in the snug safety of adult regimens—dutifully follow their mother Lucy on the summer treks from Long Island to Brooklyn—from the bus stop where Lucy is aware of her ``stunned hopelessness'' to the exciting trip through the subway cars and Lucy's leap, with the children, across the ``loud and dark and precarious distance'' of the coupled cars, toward home and her native Brooklyn. In the apartment (dark with boredom, tears, and doughty courage) are the aunts, Lucy's sisters: one defeated, one defiantly managing, and then May, simply loving. And there's also ``Momma,'' who emigrated from an Irish farm of mud and dirt, tended a dying sister and her four girls, married her sister's husband, and bore her own son, who now pays a (sober) ceremonial visit to his mother once a year at Christmas. Momma's anger has taken on fate. There are endless afternoons—the heavy meal, the cocktail hour, the quarrel time, weeping, and closed doors. But the ``merry fog'' of Christmas transforms the apartment, families, and life. For the Daileys there are the shore vacations for two weeks each year, when there is no past, with its ghosts and old hurts, but only a tender present. Then there's the wonderful day when May, the middle-aged ex-nun, is married—days before the fateful tap at the door of the seaside cottage. In translucent prose with rich recognitions, a fine novel of vigorous wisdom and heartbreaking humanity.
Pub Date: April 1, 1992
ISBN: 0-374-10674-6
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1992
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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