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JIM BROWN

LAST MAN STANDING

A truly rounded, fully fleshed portrait of a significant 20th-century figure.

One of the greatest—and most controversial—athletes of all time gets a well-balanced biographical and historical treatment.

Jim Brown (b. 1936) is arguably the best football player in the history of the sport, a truly larger-than-life figure who may have also been the best lacrosse player ever. “From the moment he stepped onto a playing field,” writes Nation sports editor Zirin (Brazil's Dance with the Devil: The World Cup, the Olympics, and the Fight for Democracy, 2014, etc.), “the operative emotion expressed in describing Jim Brown has been reverence.” Few would argue, but as always in Zirin’s books, the playing field is only one element of the narrative equation. The author ticks all the biographical boxes—multisport star in both high school and college; tumultuous career at Syracuse, where he truly began to understand the scourge of racism; Hall of Fame career with the Cleveland Browns; up-and-down forays into Hollywood; lifelong activism—but what is most refreshing about this book is Zirin’s focus on Brown’s character, both awe-inspiring and highly flawed. Brown has spent his life fighting racism and advocating for economic and social justice for the black community, but he has also been accused of rampant misogyny and instances of violence against women. He has brought together rival gang members in his own home but also managed to shut out some of those closest to him due to stubbornness to remain on top in a “world of competing male egos and unfettered ids.” As Zirin notes, for Brown, maintaining his manhood—however he conceives of it—has been the most important driving factor of his life. Brown simply refuses to be “soft” in any way, and he is not shy about criticizing the current athletes who, writes the author, “have fumbled the baton passed to them and surrendered an awesome opportunity to affect seismic social change.” Zirin, who spent considerable time with Brown, deftly navigates this rocky terrain, providing ample room for Brown to tell his own story and for others to weigh in as well.

A truly rounded, fully fleshed portrait of a significant 20th-century figure.

Pub Date: June 12, 2018

ISBN: 978-0-399-17344-8

Page Count: 336

Publisher: Blue Rider Press

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: April 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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