A loving approach to sharing painful realities with children, this book strikes a chord.
As Jay moves from childhood to preadolescence, loving adults prepare him for what that means for him as a Black boy.
Jay, who loves superheroes and racing his friends, is thrilled that he’s grown two inches—he’s no longer a “shrimp.” But Mom hugs him sadly, looking over his head at the news, and says, “They won’t see you as a young boy anymore, either.” And when Jay and his friends skateboard up the street, they get indignant looks from White passersby. Grandpa tells them not to gather in groups of four or more, Mom instructs Jay how to behave in stores, and Dad tells him how to act when pulled over by police. When Jay starts to leave the house in his hoodie and earphones, his parents call him back in for a talk, depicted in a wordless spread of shadowy vignettes showing scenes of the struggles young Black people face—being stopped by police or treated with hostility by White people. After, Jay’s parents and grandparents envelop him in a loving embrace, assuring him that he has done nothing wrong. Williams’ narration is shaped by a convincing, youthful first-person voice, and Uchendu’s powerful art conveys both the joyful energy of childhood and the pain of adults who can’t shield children from a racist world. (This book was reviewed digitally.)
A loving approach to sharing painful realities with children, this book strikes a chord. (Picture book. 5-10)Pub Date: Oct. 18, 2022
ISBN: 978-1-5344-9529-6
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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