by Isabel Wilkerson ‧ RELEASE DATE: Sept. 7, 2010
An impressive take on the Great Migration, and a truly auspicious debut.
In her ambitious debut, Pulitzer Prize–winning journalist Wilkerson (Journalism, Narrative Nonfiction/Boston Univ.) examines the Great Migration of African-Americans from World War I to the 1970s.
The author interviewed more than 1,200 people for this sweeping history, which focuses mainly on the personal stories of three Southern African-Americans who uprooted their lives to move to other parts of America: Ida Mae Brandon Gladney, a sharecropper’s wife who moved from rural Mississippi in the midst of the Great Depression, eventually landing in Chicago; George Swanson Starling, who went from picking fruit in north Florida to becoming a train attendant in 1940s New York; and Robert Joseph Pershing Foster, an accomplished surgeon who moved from northern Louisiana to Los Angeles in the 1950s. Wilkerson uses their histories to tell the larger story of how institutionalized racism helped spur the Great Migration of millions of Southern African-Americans to northern, midwestern and western states. Gladney and her family decided to leave Mississippi after a relative, suspected of stealing turkeys, was nearly beaten to death by whites. Starling, after leading an attempted sit-down strike of some African-American fruit-pickers, fled Florida under threat of death. Foster moved to California because no Southern hospitals would hire an African-American surgeon; whites in the South wouldn’t even call him “Dr. Foster,” but “spat out ‘Doc’ as if they were addressing the cook.” Though each of Wilkerson’s subjects faced discrimination in the North as well, they felt a greater sense of freedom to pursue their own visions of the American dream. The author deftly intersperses their stories with short vignettes about other individuals and consistently provides the bigger picture without interrupting the flow of the narrative. While other fine books, such as Ira Berlin’s The Making of African America: The Four Great Migrations (2010), address many of the same themes, Wilkerson’s focus on the personal aspect lends her book a markedly different, more accessible tone. Her powerful storytelling style, as well, gives this decades-spanning history a welcome novelistic flavor.
An impressive take on the Great Migration, and a truly auspicious debut.Pub Date: Sept. 7, 2010
ISBN: 978-0-679-44432-9
Page Count: 768
Publisher: Random House
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: July 1, 2010
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SEEN & HEARD
BOOK TO SCREEN
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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