by Susan Straight ‧ RELEASE DATE: Aug. 6, 2019
A radiant memoir imbued with palpable love.
A moving family saga celebrates generations of bold, brave, and determined women.
Award-winning novelist Straight (Between Heaven and Here, 2012, etc.) makes her nonfiction debut with an eloquent, absorbing memoir. Addressed to her three adult daughters, the narrative weaves together stories that transcend time, place, race, and ethnicity to vibrantly portray her children’s rich ancestry. Straight is white: Her mother grew up in the Swiss Alps; her father, in Colorado. The couple settled in Riverside, California, a hardscrabble community of a wide variety of mixed ethnicities, all “dreamers of the golden dream.” When she was 14, she met Dwayne Sims, an African American high school classmate; years later, they married and eventually settled near their families. Straight taught English to refugees and at a city college; Dwayne worked at a juvenile correctional facility. Frugality was a way of life. When her youngest daughter was asked how the family fared, she replied, “Wait—what’s below humble?” They had been poor, Straight admits, finding furniture on the street and living without air conditioning in temperatures over 100 degrees, but “the safety and tether and history” of their families was ample compensation. “The women who came before you, my daughters, were legends,” writes the author, and their journeys—from Africa, Europe, and across the American continent—entailed convoluted “maps and threads” that culminated in her own girls, “the apex of the dream.” Her daughters inherited not only their ancestors’ “defined cheekbones and dimples and high-set hips,” but, more crucially, their beauty, intelligence, and defiant independence. Among those many women, Dwayne’s mother, Alberta, shines: “bemused and regal and slightly mischievous,” a warmhearted woman who unreservedly welcomed her white daughter-in-law. Listening to family stories and mining ancestry.com, Straight recounts the peril and hope, forced migration and fierce escapes, “thousands of miles of hardship,” that women endured. “All of American history,” she tells her daughters, “is in your bones.”
A radiant memoir imbued with palpable love.Pub Date: Aug. 6, 2019
ISBN: 978-1-948226-22-6
Page Count: 384
Publisher: Catapult
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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