An ambiguous ending makes this book truly haunting—and vital.
The lives of a hornet and a boy unexpectedly intertwine in this vividly illustrated, unusual glimpse of child labor at a coal yard.
Translated into English from its original Portuguese by Hahn, Brazilian Hans Christian Andersen Award–winning author/illustrator Mello’s enigmatic text addresses the humanitarian and environmental stakes of charcoal production. A primarily black-and-white color palette sets a somber tone, while die-cut pages shaped to resemble tongues of orange, pink, and red flame echo the collaged endpapers evoking clusters of embers and ashes. Told in distinct, titled fragments from the hornet’s perspective, the sometimes frustratingly abstruse text offers readers just enough visual and verbal information to construct meaning. The hornet, who guards a larva in its mud nest on a charcoal mound, addresses readers in deceptively plain language peppered with descriptive words and repeated phrases. Skin color is mentioned only in reference to an albino boy, depicted with bright white skin, who struggles to hide from the labor inspectors among the charcoal while the first boy, depicted with dark skin does not. The only named character is the albino boy, whom the hornet christens, unoriginally and somewhat insensitively, “Albi.” The book’s format and Mello’s professional background suggest children are its intended audience, but it’s difficult to envision any child engaging with this book without adult scaffolding. The text is more poetic than informational, and it does not include references for further reading. Still, for those readers who wrestle with it, it’s an unforgettable experience.
An ambiguous ending makes this book truly haunting—and vital. (Picture book. 8-12)Pub Date: Oct. 8, 2019
ISBN: 978-1-939810-19-9
Page Count: 46
Publisher: Elsewhere Editions
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
Hugely entertaining, timely, and triumphant.
Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.
When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.
Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)Pub Date: Sept. 26, 2023
ISBN: 9780316669412
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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