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LEMON BUTTERFLY

One of a kind—an intriguing, sophisticated study in contrasts that reimagines the potential of picture-book art.

A solitary journey in pursuit of an idyllic vision transforms the life of a butterfly.

From the outset, this read-aloud presents dynamic text-illustration interplay that defies a singular or straightforward narrative. As the words introduce the protagonist’s “vivid colors,” the picture shows only the lemon butterfly’s silhouette, cut out in paper white against a vermilion background. The use of negative space continues throughout the book, suggesting other dimensions—perhaps expansive, possibly emotive—into which viewers have a peek. Wildly divergent illustrations tantalize: A feast of colors, shapes, styles, abstractions, and perspectives invites viewers to linger over each double-page spread as a unique composition and ponder the visual narrative belying the printed text. What compels the protagonist to leave lush, verdant surroundings and the company of other butterflies for some other “field of flowers”? Does the lemon butterfly feel a pang of regret when encountering the “barren wilds,” depicted as powerful, interlocking black lines angled against a stark white background? Why are hints of human presence visible in the absence of textual reference to people? Is the white horse significant beyond its role as messenger and guide? What is the message? This edition is translated from a Chinese text, and the twist at the end of this tale appears added for the English version, satisfying Western story-arc conventions through a creative reinterpretation and altogether surprising conclusion. (This book was reviewed digitally with 11.375-by-18-inch double-page spreads viewed at actual size.)

One of a kind—an intriguing, sophisticated study in contrasts that reimagines the potential of picture-book art. (Picture book. 4-9)

Pub Date: Sept. 30, 2020

ISBN: 978-1-4788-6975-7

Page Count: 32

Publisher: Reycraft Books

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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