by Hannah Barnaby ; illustrated by Anoosha Syed ‧ RELEASE DATE: July 28, 2020
No need to be afraid of monsters after reading this sweet and unusual friendship story.
A boy discovers that monsters are real—and that one lives under his bed.
The monster and the boy—no names given—share a bedroom, but they have never met. The monster is nocturnal and has lived under the boy’s bed for many years; he knows the sound of the boy’s voice and loves the smell of his dirty socks. One night the boy’s mother reads her son a book about monsters, and she tells him that there is no such thing as monsters. Knowing this is untrue, the monster decides to introduce himself. Predictably, this doesn’t go as well as the monster expects, and when the boy screams, the monster swallows him in a panic. This is distressing for both the monster (who just lost his only friend) and the boy (who now finds himself trapped inside a stomach). Eventually the monster coughs the boy out—only to discover the boy is now grasshopper-sized. Humor ensues. In archly amusing fashion, the author breaks the fourth wall—this is marked by teal-colored page backgrounds—reassuring readers during potentially scary parts of the book, filling in background details, or collegially including them in aspects of the storytelling. Teal-flecked grayscale cartoons appear on almost every page, making this a solid choice for new independent readers. As depicted on the cover, the boy has tightly coiled brown curls and pink skin.
No need to be afraid of monsters after reading this sweet and unusual friendship story. (Fantasy. 6-9)Pub Date: July 28, 2020
ISBN: 978-1-250-21783-7
Page Count: 144
Publisher: Godwin Books
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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by Carlo Collodi & adapted by Elastico srl & illustrated by Lucia Conversi translated by Lemmy Caution developed by Elastico srl ‧ RELEASE DATE: March 17, 2011
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Carlo Collodi ; adapted by Carol Della Chiesa ; illustrated by Swarna Chitrakar
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by Carlo Collodi illustrated by Fulvio Testa translated by Geoffrey Brock
by David Goodner ; illustrated by Andrea Tsurumi ‧ RELEASE DATE: Oct. 27, 2020
A story of friendship that is both lively and lovely
Two friends embark upon a high-seas adventure.
Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)
A story of friendship that is both lively and lovely (Fantasy. 6-8)Pub Date: Oct. 27, 2020
ISBN: 978-1-368-02577-5
Page Count: 80
Publisher: Little, Brown
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: July 15, 2020
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