WITNESS

Short stories that in their depth of feeling, perception, and sense of place affirm their author’s bright promise.

As in his debut collection, A Lucky Man (2018), Brinkley sets these stories in New York City ethnic neighborhoods on the edge of transformation, vividly and, at times, hauntingly showing how the people in those enclaves struggle to withstand, even transcend the changes around them. “The Happiest House on Union Street,” for instance, focuses on a young girl named Beverly, old enough to be “past the phase of making words up,” who spends the days and nights leading up to Halloween trying to mediate tensions between her father and her uncle (both named Ray) as a developer is showing interest in the Brooklyn home that’s been in their family for generations. Then there’s “Bartow Station,” in which a delivery-truck driver’s encounter with an abandoned subway tunnel triggers unwanted memories of a personal tragedy. In this story, as in others, characters’ presumptions are upended, secrets revealed, and wounds, both physical and psychological, are exposed. These factors come together most strikingly in the title story, in which a young woman named Bernice embarks on a romance with a club DJ to the consternation of her truculent, disapproving brother, and the petty disputes among the three of them obscure the fact that something is terribly wrong with Bernice’s health. In some ways, the plots of these stories, however engrossing, are less significant than their vivid physical details, graceful language, and acute observation of even the most bewildering of human behavior. Brinkley’s stories carry a rich veneer worthy of such exemplars of the form as Chekhov, Eudora Welty, Alice Munro, and James Alan McPherson. At their best, these stories provide inspiration to all of us, no matter who we are or where we live, on how best to deal with those moments in life when, as one of Brinkley’s characters puts it, “all we can manage…is halting small talk, and the awkwardness of it resounds in our ears.”

After just two collections, Brinkley may already be a grand master of the short story.