An imaginative series debut with a spooky plot, chilling details, and a wholesome family.
A family relocating to northern New England finds a nightmare within their perfect new house in Halbert’s supernatural thriller.
After a careful search, the Keane family, formerly of Boston, have found the ideal New England property to relocate to. With a mixture of anticipation and reservation, married couple Ian and Lyana move to bucolic Littleton, New Hampshire, with their children—Ariel, who’s 15, and Zach, who’s 12 and on the autism spectrum. Hoping to slow their pace of life down and better connect with each other, the family becomes enchanted with an old English Tudor-style manor on Farr Hill. The house, “hugged by trees,” comes complete with a hidden driveway, an imposing rustic appearance, expansive gardens, and an architecturally “unique blend of masonry and woodwork.” The house was built in 1933 by a man who mysteriously disappeared 40 years later. The owner’s nephew, Marshall, eventually assumed control of the property and has remained as a groundskeeper for decades while assorted families moved in—and then hurriedly moved back out, claiming the house was haunted. As the town gossip mill churns, the rumors begin to seem real: Lyana hears whispers in the halls, the kids discover hidden rooms and doorways with cryptic symbols on the grounds, the image of a little girl appears in the pantry, the walls and floors begin to shift, and a series of horrifying, mind-bending dreams make Ian and Lyana begin to question their sanity. Marshall’s cabin, located on the manor grounds, offers more frights than answers, but the family stands together as the mystery deepens and their dream of a fresh start seems ever more elusive. Ian leans on his profession to understand the situation confronting his family. (He’s a professor of ancient history who studies ancient tribal communities and their role in creating the towns and villages that thrive in contemporary society.) He uses his knowledge to his advantage as the novel plays out, until a crushing medical malady stuns the Keane family.
In this inaugural volume of the Goodpasture Chronicles, Halbert puts a new spin on classic horror and suspense tropes of the “creepy old house with a malevolent entity embedded in its walls” variety. Though the story has moments of suspenseful tension, the narrative stumbles somewhat and loses momentum once Lyana’s tragedy is revealed and a rather implausible development results from it. Nevertheless, the author’s authentic, believable characters provide a sturdy framework for the drama taking place inside (and outside) the manor, and the short chapters keep things moving along at a brisk pace. Plenty of character backstory adds depth to the tale. Some of the most riveting scenes involve the adventurous children as they wander the property grounds discovering new areas of the “spooky woods,” which are chillingly depicted but never fully explored. Still, the author successfully and cleverly re-creates and refreshes the haunted house yarn with a fresh sense of dark wonder and mystery, adding plenty of eerie nuances that are creepy but ultimately harmless and devoid of anything that’s graphically terrorizing, which will appeal to adult and YA reading audiences alike. The concluding scene will have thriller fans primed for the next installment.
An imaginative series debut with a spooky plot, chilling details, and a wholesome family.Pub Date: May 7, 2024
ISBN: 9781963366051
Page Count: 282
Publisher: Eald Talu House
Review Posted Online: March 28, 2024
Review Program: Kirkus Indie
SEEN & HEARD
Fast-moving fun and a highly creative plot.
Bloody murder spoils folks’ fun while megafauna return from extinction.
What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.
Fast-moving fun and a highly creative plot.Pub Date: April 23, 2024
ISBN: 9780765317704
Page Count: 384
Publisher: Forge
Review Posted Online: Feb. 12, 2024
Kirkus Reviews Issue: March 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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