An irresistible, high-stakes, cross-country adventure about a man with amazing gifts.
Seaborne’s thriller features the return of superpowered action hero Will Stewart.
In this 10th installment in his contemporary adventure series, the author continues the exploits of Will Stewart, an air charter pilot, and his wife, Andy, a detective in Wisconsin’s Essex County Police Department (characterized by her husband as “an equal opportunity juggernaut of justice”). Will and Andy are briefed by FBI Special Agent Leslie Carson-Pelham and her colleagues on the inner workings of a paramilitary insurgency group known as Company W (“The W stands for White and the military grade high-capacity semiautomatic rifles they carry promise supremacy of arms, if not intellect”). Will and Andy have had near-fatal encounters with Company W before and have always been stymied by the compartmentalized nature of the group. “It’s not an organization with a headquarters,” they’re told by Carson-Pelham. “It’s like a cloud or a fog moving across the landscape. Arch conservativism. Racism. White supremacy. Grievance. Fascism by a dozen different names.” The couple are swept up in a complex plot involving the desperate plight of children in a hospice program, with tendrils of corruption and evil extending from Galveston to the Florida Keys. The narrative includes a number of suspicious figures, some of them connected to an evil pharmaceutical company that will arouse readers’ suspicions right from the start. Though the narrative gives a generous amount of the spotlight to Andy, Will is a natural scene-stealer by virtue of his actual superpowers: He can both fly and vanish from sight.
Considering the outsized, comic-book premise, it continues to be downright amazing how grounded Seaborne’s world consistently feels. Yes, Will Stewart has some Marvel-style paranormal gifts, but both his abilities and personality are so thoroughly fleshed out and believable that, in no time at all, the reader matter-of-factly integrates these fantastical elements into the standard heroics-and-gunfire action without a second thought. “This isn’t one of your silly action movies where all the clues line up in the third reel,” Andy deadpans. “It’s hundreds of hours of boring investigative work, connecting dots, scouring phone records, scraping through emails and texts, building cases.” This latest entry in the series maintains the same grounded, workaday feeling, but both Will and Andy consistently strain against it—they’re full-fledged action heroes, always ready to respond with Hollywood-style quips and larger-than-life violence. The author effectively fleshes out even minor walk-on characters, and his portrayal of the loving relationship between his two heroes continues to be the most satisfying aspect of the series, the kind of three-dimensional adult relationship remarkably rare in thrillers like this one. The author’s skill at pacing is razor-sharp—the book is a compulsive page-turner right up until the obligatory exposition dump near the end. The descriptions of the actual workings of Will’s powers are uniformly gripping; it makes the book feel like the best possible combination of the Odd Thomas novels of Dean Koontz and the Jack Reacher novels of Lee Child.
An irresistible, high-stakes, cross-country adventure about a man with amazing gifts.Pub Date: May 1, 2023
ISBN: 9781958005781
Page Count: 448
Publisher: Trans World Data
Review Posted Online: March 22, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
PERSPECTIVES
Fast-moving fun and a highly creative plot.
Bloody murder spoils folks’ fun while megafauna return from extinction.
What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.
Fast-moving fun and a highly creative plot.Pub Date: April 23, 2024
ISBN: 9780765317704
Page Count: 384
Publisher: Forge
Review Posted Online: Feb. 12, 2024
Kirkus Reviews Issue: March 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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