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HEATWAVE

Intense summertime heat never looked this good.

Extreme weather brings life to a halt.

On a hot, steamy day in an urban environment where it’s “100 degrees, // in the shade,” a young person tries to beat the heat. After brutal temperatures force the cancellation of a basketball game, the unnamed protagonist, an adult caregiver, and their trusty dog go to the beach to get some relief. Not even shade from an umbrella or sunscreen with a high SPF can protect them from the sun’s harsh rays. As the "wind picks up" and "clouds roll in," “one raindrop” turns to a “downpour,” with relief in sight as day turns to night and the strong sun gives way to cool moonlight. Relying on a uniform color palette throughout, the mixed-media illustrations beautifully evoke the oppressive nature of summer in the city. For daytime scenes, Redniss uses a fiery red, while for nighttime scenes, she employs a cool deep blue. Bigger issues of global warming are captured in little details throughout, such as a newspaper headline trumpeting “record heat across globe” and a book on icebergs in the protagonist’s bedroom. Redniss pairs her efficacious art with spare text. Human characters have elongated limbs and torsos, further capturing the sluggish vibe of a summer day. Characters’ skin tones match the colors of the page.

Intense summertime heat never looked this good. (Picture book. 4-8)

Pub Date: May 21, 2024

ISBN: 9780593645949

Page Count: 40

Publisher: Random House Studio

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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