A stale, disjointed collection of observations from a Hollywood legend.
With her latest release, Academy Award–winning actress MacLaine (Sage-ing While Age-ing, 2007, etc.) won’t remind readers why she's been so successful entertaining others. What begins as a memoir laid out in brief, anecdotal chapters on all that the author is “over” and “not over” rapidly descends into a jumbled mash-up of her personal beliefs on everything under the sun. Ranging from politics (“Terrorism is just a convenient excuse for those in power to gently instruct us to go quietly into that good night”) to good lighting (“You want the camera high and the key light low”), MacLaine jumps from subject to subject with such a rapid-fire pace that readers barely have a chance to keep up with her. The author is well-known for her humor, which makes an occasional appearance in this volume—“I am appalled at the number of people who are famous for doing absolutely nothing but being seen at parties”—and she provides brief moments of insight: "The studios don’t like to take risks anymore...They seem to be reflecting the fear experienced everywhere...these days.” But the author's strengths are offset by sections in which the author displays a lack of humility: “Those of us in show business sometimes call people who are not in show business ‘civilians’ because they don’t understand what is takes to be loved by being ‘really’ real...[we lead] civilians to water but never let them drink.” A book in midlife crisis.
Pub Date: April 5, 2011
ISBN: 978-1-4516-0729-1
Page Count: 224
Publisher: Atria
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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