An insightful treat for Andrews' fans.
A warm, entertaining memoir covering the actor’s Hollywood years, from Mary Poppins to That's Life!
In this follow-up to Home: A Memoir of My Early Years (2008), the author devotes equal time to home and work in the period from 1963 to 1986. Her home life was anything but serene. During this period, her marriage to production and costume designer Tony Walton broke up—mostly, writes Andrews, because they were never in the same place at the same time. Their daughter, Emma, co-author of this book, split her time between her parents, and Andrews remarried, this time to director Blake Edwards. His children didn't assimilate easily into the new blended family, and he had a number of problems of his own, including hypochondria, an addiction to prescription pills, a hot temper, and a tendency to be drawn toward “lonely, fragile and usually very pretty young women.” The couple went on to adopt two children from Vietnam while Andrews attempted to deal with an alcoholic mother and stepfather. Meanwhile, she was making movies both successful—notably The Sound of Music—and less so, such as her husband's remake of The Man Who Loved Women. While Andrews is too discreet and canny to settle any scores or burn any bridges with her Hollywood colleagues, and she remains guardedly respectful toward most of her co-workers, she knows how to spin a yarn. Even her experience with the notoriously difficult Alfred Hitchcock comes off as remarkably pleasant, as she describes him explaining which camera lenses would make her look best. Andrews does let loose in her memories of a horrific day during the filming of Hawaii, during which director George Roy Hill seemed to be “getting a slight kick” out of repeated takes of her skirt being set on fire. Entries from the author’s journals add a sense of immediacy, and she ends her account on an up note: “I am profoundly blessed.” That may be true, but it’s also hard not to admire the grit that took her through some taxing personal and professional struggles.
An insightful treat for Andrews' fans.Pub Date: Oct. 15, 2019
ISBN: 978-0-316-34925-3
Page Count: 352
Publisher: Hachette
Review Posted Online: Oct. 16, 2019
SEEN & HEARD
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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