Demands readers’ attention and does not let go.
A tries to maintain their own identity in this graphic adaptation of Levithan’s bestselling 2012 novel by the same name.
Every day, A wakes up in a new body. They’ve had this uncontrollable ability since birth and have grown used to keeping people at a distance—that is, until A wakes up in Justin’s body and spends a romantic day at the beach with Rhiannon, Justin’s girlfriend. Unable to forget her, A conspires to spend more time with her. As Nathan, A attends a party and exchanges emails with Rhiannon, finally building an ongoing relationship. Unfortunately, Nathan remembers being a spectator in his own body and tells people he believes he was possessed by a demon. Rhiannon does some investigating, realizes A’s story doesn’t add up, and A reveals the truth. Despite her growing feelings, Rhiannon doubts their relationship could work due to A’s constant body-hopping. Questions of consent and selfhood are explicitly addressed through A’s body swapping, making A an incredibly relatable protagonist and the premise as intriguing and relevant as ever. Because A wakes up in a different body every day, it can be difficult at times to spot which character they are currently inhabiting, but this is overall a very successful adaptation. The racially diverse cast is drawn in an expressive style, and the use of light and shadow and the varied color palette are highly effective.
Demands readers’ attention and does not let go. (Graphic fiction. 12-18)Pub Date: May 2, 2023
ISBN: 9780593428986
Page Count: 208
Publisher: Knopf
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
A warm, sweet, lovely tale of a world readers will want to live in.
In a not-so-distant future where changing one’s physical features is as easy as purchasing nanobot mods, Sunati falls for Austen, a girl who always looks the same.
Since Austen never changes, Sunati admires what she assumes is her bravery and confidence. As Sunati and Austen chat more, Austen bluntly asks Sunati if she only wants to get to know her more because of her medical condition, which prevents her from using mods. As they gradually grow closer, Sunati learns how to interact more respectfully with those who have overactive immune systems as well as to share her feelings more honestly. Austen, in turn, learns to trust Sunati. This beautifully illustrated slice-of-life tale that shows two young women of color getting to know each other and creating a relationship is so warm and charming that readers will hardly notice how much they are learning about how to better interact with folx who are different from themselves and the importance of not making assumptions. The story also successfully weaves in agender, genderfluid, and asexual characters as well as the subjects of parenting and colorism into the natural arc of Sunati and Austen’s developing story. The soft, romantic artwork evokes hazy watercolors. The speech bubbles are predominantly pink and blue, and the varied layout will maintain readers’ interest.
A warm, sweet, lovely tale of a world readers will want to live in. (Graphic romance. 12-18)Pub Date: May 19, 2020
ISBN: 978-1-4998-1110-0
Page Count: 256
Publisher: Little Bee Books
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
PERSPECTIVES
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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