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NATURAL NOVEL

Weirdly well written and equally self-conscious. The French have already claimed this Bulgarian poet and short-story author.

A brief, witty, experimental debut novel about the sorrowful fragmented musings of a newly divorced man—originally published in 1999 in Bulgarian.

The hapless first-person narrator, who functions as frustrated author, editor, and protagonist, aims to write a narrative of beginnings “that keeps starting, promising something,” as he says, “then starting again.” The result reads like diary entries, containing dreams, memories, extracts from texts of classical literature, and “pointless” dialogue. The plot, such as it is, centers on the precipitating crisis of the narrator’s divorce. His wife of seven years, after a period of estrangement, becomes pregnant by another man; the husband moves out of their Sofia apartment, which is heavy with associations; the two divorce, and the man obsesses about his ex-wife. Unhinged, he becomes morbidly fascinated by the banality of everyday things, such as the function of the toilet: “The more irrationally isolated I became about my marriage,” he notes, “the more I drifted toward the bathroom.” His attempt to write a “natural history of the toilet,” if only to crack the enforced silence around the subject, becomes a metaphor for the constricting inadequacy of language itself, as these fragments themselves demonstrate. The narrator’s close observation of the fly is another means of idiosyncratic expression. Alas, after introducing a bit of content in his marital narrative, but then pulling back without follow-through, he’s left sitting in his rocking chair, tattered and inarticulate, while the reader grows increasingly exasperated, relieved to reach the end. (Skip the self-congratulatory author interview.)

Weirdly well written and equally self-conscious. The French have already claimed this Bulgarian poet and short-story author.

Pub Date: Feb. 8, 2005

ISBN: 1-56478-376-6

Page Count: 136

Publisher: Dalkey Archive

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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