Highly recommended for both experienced and aspiring authors and for avid readers who want to learn the back stories of the...
The founder of the online journal Scratch, loaded with information about how authors labor to earn a livelihood, collects essays and interviews that appeared online and supplements those with original offerings.
In this well-organized, fascinating anthology, a host of fiction and nonfiction authors share practical tips and emotional intelligence. Among the best-known authors included are Susan Orlean, Cheryl Strayed, Jonathan Franzen, Roxane Gay, Jennifer Weiner, Richard Rodriguez, and Nick Hornby, all of whose contributions are worthy. Yet many of the most compelling essays come from lesser-known writers, some of whom have yet to publish a book. One such standout is Sarah Smarsh, a former grant writer and current magazine writer who splits her time between her native Kansas and her new home in Texas and whose first book will be published in 2017. Smarsh specializes in writing about poverty, especially the poverty of relatively uneducated whites; in her essay, she reflects on making the jump from her family's poverty to higher education and, eventually, a promising writing career. In “The Best Work in Literature,” anthology editor Martin, the managing editor of Zoetrope: All Story, grapples with similar issues, sharing anecdotes about trying to pay the rent and eat properly in an economy that pays poorly for published writing. Each contributor deals directly or indirectly with the often unhappy intersection of commerce and art in the contemporary American economy. For every commercial success story—e.g., Strayed, Weiner, Franzen, or Alexander Chee—there are countless failures. At times, what can best be termed as "luck" arrives, as in the essay by Nina MacLaughlin, who explains how a piece she reluctantly agreed to write for no pay led to a book contract.
Highly recommended for both experienced and aspiring authors and for avid readers who want to learn the back stories of the contributors.Pub Date: Jan. 3, 2017
ISBN: 978-1-5011-3457-9
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Sept. 7, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
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