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THE ONLY ONE LEFT

An entertaining thriller if you can give yourself over to its sillier plot devices.

Sager returns with his take on a gothic whodunit set on the coast of Maine.

The year is 1983. Kit McDeere is a disgraced home caregiver who has one chance to redeem herself: She's assigned to look after the ailing, elderly Lenora Hope, a local Lizzie Borden figure. Back in 1929, Lenora allegedly murdered her parents and sister, and now, along with her remaining staff, she resides at Hope’s End, the Gothic mansion on Maine’s crumbling cliffs where the murders took place. Lenora can't speak following a series of strokes, but with Kit’s help, she can type, and she wants to tell her story once and for all, confiding in Kit what happened on the night of the infamous murders. The novel moves between Kit’s narration in the present and Lenora’s typewritten account of her life leading up to the incident. Early on, the novel evokes such genre classics as “The Fall of the House of Usher” and Rebecca, establishing a moody atmosphere and intriguingly suspicious characters. However, this novel lacks the psychological realism of its influences. Sager doesn’t play with gothic tropes so much as he simply traffics in them. The first half of the book is tense and propulsive, but in later chapters the narrative takes so many outlandish turns so quickly that it borders on camp. Characters act in ways that are clichéd and implausible, and they are given cartoonish dialogue to match their behavior. Villains confess easily, in long speeches that strain credulity, and a subplot around paternity takes on the flavor of a telenovela. Multiple scenes involve characters emerging from doorways to reveal they were there all along. (Gasp!) That said, the novel reads quickly and provides a thrilling, if goofy, ride for those with a high tolerance for plot hijinks and a fondness for Guillermo del Toro’s Crimson Peak.

An entertaining thriller if you can give yourself over to its sillier plot devices.

Pub Date: June 20, 2023

ISBN: 9780593183229

Page Count: 400

Publisher: Dutton

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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EXTINCTION

Fast-moving fun and a highly creative plot.

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Bloody murder spoils folks’ fun while megafauna return from extinction.

What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.

Fast-moving fun and a highly creative plot.

Pub Date: April 23, 2024

ISBN: 9780765317704

Page Count: 384

Publisher: Forge

Review Posted Online: Feb. 12, 2024

Kirkus Reviews Issue: March 15, 2024

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