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KILLING TIME

Fun, but awfully sketchy. Carr seems more at home in the past than in the future.

And now for something (almost) completely different from the author of the popular literary thrillers The Alienist (1994) and The Angel of Darkness (1997).

Carr’s bizarre cautionary tale, subtitled “A Novel of the Future” (and reminiscent of both H.G. Wells’s tough-minded speculative romances and Jack London at his most engagingly deranged), examines the consequences of information overload and “image manipulation” in a craven new world in which two percent of the US population is in prison, the Balkans have re-erupted, and an ongoing war between India and Pakistan complicates international diplomacy and threatens the global community’s stability, if not its survival. It’s all a bit much for renowned criminologist Dr. Gideon Wolfe, whose employment by the widow of a murdered “special effects wizard” leads him to the discovery that the Afghani “terrorist” accused of the murder of US President Emily Forrester was framed by powerful anonymous vested interests. Dr. Wolfe is taken aboard an “airship” commanded by wheelchair-bound genius Malcolm Tressalian (images of Peter Sellers as Dr. Strangelove instantly leap to mind) and his gorgeous sister Larissa (an accomplished scientist and phlegmatic assassin). Wolfe gradually deciphers the full connotative meaning of the Latin epigram (Mundus vult decipi) that motivates the Tressalians’ highly skilled crew, but finds he cannot share Malcolm’s obsession with “the deceptions of this age, and my own attempts to reveal them through deception.” The ensuing melodrama moves (in and out of earth’s orbit, with the greatest of ease) from the uninhabited island of St. Kilda off the coast of Scotland to Kuala Lumpur in search of Israeli terrorist Dov Eshkol, thence to Moscow, and darkest Africa. Carr whizzes quickly through this entertaining nonsense in a hit-or-miss manner that’s perhaps a little too compressed, especially at the rather hurried close, which (just barely) manages to suggest that Malcolm—far and away the most potentially interesting of the book’s paper-thin characters—“had actually succeeded in his quest to conquer time.”

Fun, but awfully sketchy. Carr seems more at home in the past than in the future.

Pub Date: Nov. 9, 2000

ISBN: 0-679-46332-1

Page Count: 336

Publisher: Random House

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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