FICTION:
THE SPORT OF KINGS by C.E. Morgan (Farrar, Straus and Giroux)
An epic novel steeped in American history and geography, The Sport of Kings tells the story of three generations of white Southerners tainted by the enduring legacy of slavery and an African-American family whose story is inextricably tied to theirs. Vaultingly ambitious and thrillingly well-written, the novel is charged with moral fervor and rueful compassion.
Judges’ Statement: “C.E. Morgan’s The Sport of Kings takes the kind of dauntless, breathtaking chances readers once routinely expected from the boldest of American novels. Though ostensibly a time-spanning saga about a family of Kentucky horse breeders, Morgan’s ambitious multi-layered narrative also dives deep into the toxic legacies of sex, race, regional, and class divisions. Morgan shows both spiky ingenuity and uncommon compassion in depicting white and black characters, notably the ill-starred African American ex-convict Allmon Shaughnessy, whose passage from Cincinnati’s meaner streets to working in the Bluegrass State horse stables belonging to the imperious Henry Forge and his magnetic daughter, Henrietta, is recounted in a dark, rich blend of evocative description and stream-of-consciousness. It is a profoundly orchestrated work that is both timeless and up-to-the-minute in its concerns, the most notable of which is what another Kentucky-bred novelist, Robert Penn Warren, once labeled “the awful responsibility of time.”
2016 Kirkus Prize Fiction Judges: Award-winning author Claire Messud; Annie Philbrick, the owner of Bank Square Books in Mystic, Connecticut and Savoy Bookshop and Café in Westerly, Rhode Island; and journalist and Kirkus critic Gene Seymour.
Fiction finalists: Imagine Me Gone by Adam Haslett (Little, Brown); Carousel Court by Joe McGinniss Jr. (Simon & Schuster); Barkskins by Annie Proulx (Scribner); A Gentleman in Moscow by Amor Towles (Viking); The Underground Railroad by Colson Whitehead (Doubleday)
NONFICTION:
IN THE DARKROOM by Susan Faludi (Metropolitan/Henry Holt)
A moving and penetrating inquiry into manifold struggles for identity, community, and authenticity, Pulitzer-Prize winning journalist Susan Faludi’s In The Darkroom investigates the “fluidity and binaries” of modern transsexuality after receiving an email from her estranged father announcing that he had undergone gender reassignment surgery.
Kirkus Prize Judges’ Statement: “Susan Faludi’s In the Darkroom is a compelling, lyrical, and candid exploration of identity, gender, and the intensely complex relationship between a transgendered father and her daughter. More than memoir, or biography, it’s a detective story with two unforgettable characters at its center: an authoritarian Hungarian refugee who escapes the Holocaust; and Faludi herself, a feminist icon grappling with an unexpected family revelation. In the Darkroom is a landmark achievement in which Faludi uses her well-honed journalistic talents to tell the most intimate story she could possibly tell, her father’s journey into womanhood.”
2016 Kirkus Prize Nonfiction Judges: author and Kirkus critic Jim Piechota; Chris Schoppa of Politics & Prose Bookstore in Washington, D.C.; and journalist and award-winning novelist Héctor Tobar.
Nonfiction finalists: At the Existentialist Café:Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Othersby Sarah Bakewell (Other Press); Evicted: Poverty and Profit in the American City by Matthew Desmond (Crown); The Black Presidency: Barack Obama and the Politics of Race in America by Michael Eric Dyson (Houghton Mifflin Harcourt); Truevine: Two Brothers, a Kidnapping, and a Mother’s Quest: A True Story of the Jim Crow South by Beth Macy (Little, Brown); Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J.D. Vance (HarperCollins)
YOUNG READERS’ LITERATURE:
AS BRAVE AS YOU by Jason Reynolds (Caitlyn Dlouhy Books/Atheneum)
In Jason Reynolds’ pitch-perfect novel As Brave as You, an eleven-year-old Brooklynite who has “worry issues” goes into overdrive when he is sent to his estranged grandparents’ home in Virginia; Reynolds gives his readers uncommonly well-developed, complex characters.
Kirkus Prize Judges’ Statement: “Jason Reynold’s As Brave as You has elevated the family story through his textured writing, strong characterization, and the through-line of a complex legacy. From Grandpop’s bird-filled indoor ‘outside’ room to the mysterious house in the woods, Reynolds demonstrates his full command of multiple threads and brings an uncommon level of detail and quirkiness to his narrative. Through eleven-year-old Genie’s irrepressible curiosity, readers encounter a complex landscape peopled by an ensemble of richly developed characters. Reynolds’ novel, told with compassion, humor, and an eye to historical context, introduces us to a phenomenal, truly unforgettable family.”
2016 Young Readers’ Literature Judges: Author and co-owner of The Flying Pig Bookstore in Shelburne, Vermont Elizabeth Bluemle; Coordinator of School and Student Services for Enoch Pratt Free Library in Baltimore and Kirkus critic Deborah D. Taylor; and award-winning author and the Poetry Foundation’s Young People’s Laureate Jacqueline Woodson.
Young Readers’ Literature Finalists: Picture Books: Thunder Boy Jr. by Sherman Alexie and illustrated by Yuyi Morales (Little, Brown); Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan (Caitlyn Dlouhy Books/Atheneum); Middle Grade: We Will Not Be Silent: The White Rose Student Resistance Movement That Defied Adolf Hitler by Russell Freedman (Clarion); Teen: The Reader by Traci Chee (Putnam); Burn Baby Burn by Meg Medina (Candlewick)
2016 marks the third year of the Kirkus Prize. It was created to celebrate the discerning, thoughtful criticism that Kirkus Reviews has contributed to both the publishing industry and readers at large since it was founded in 1933. The previous Kirkus Prize winners are, from 2015: A Little Life by Hanya Yanagihara, Between the World and Me by Ta-Nehisi Coates, and Echo by Pam Muñoz Ryan; and, from 2014: Euphoria by Lily King, Can’t We Talk About Something More Pleasant? by Roz Chast, and Aviary Wonders Inc. by Kate Samworth.
For more information about the 2016 Kirkus Prize, including dates of eligibility, more about rules and selection processes, and bios of the finalists and judges, please visit Kirkus Reviews/prize
About Kirkus Reviews
Founded in 1933, Kirkus has been one of the most trusted and authoritative voices in book discovery for more than 83 years. When Kirkus Reviews was established by Virginia Kirkus, it was an innovation in the publishing field. Kirkus arranged to receive advance galley proofs of books from publishers — only 20 or so at first, but eventually nearly every firm of any size in the industry. She read the galleys and wrote brief, critical evaluations of their literary merit and probable popular appeal. Today, Kirkus Reviews covers more than 7,000 books published by traditional houses and more than 3,000 self-published books every year. The magazine is published on the 1st and 15th of every month, and because of the scope of its coverage, authoritative voice and the timeliness of its reviews, Kirkus Reviews is revered by many as the first indicator of a book’s potential.
The chairman of Kirkus Media is Herb Simon. Marc Winkelman is the president and publisher, and Meg LaBorde Kuehn is the chief executive officer.
The editor-in-chief of Kirkus Reviews is Claiborne Smith. Eric Liebetrau is the managing editor and nonfiction editor, Laurie Muchnick is the fiction editor, senior Indie editor is Karen Schechner and Vicky Smith is the children’s and teen editor.
For more information, please visit Kirkus Reviews.
For more information specifically about the Kirkus Prize, please visit Kirkus Reviews/Prize.
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