A fast-paced, easily digestible historical epic.
Williamson presents a tale of early-20th-century German South West Africa (now Namibia), told from a white colonist’s point of view.
In 1903, a young German named Conrad Huber receives the position of commissioner’s aide at the German Colonial Office in South West Africa. There, he stays in Commissioner Leutwein’s home in Windhoek, where he meets Sybille, who works in the commissioner’s office and is the daughter of Samuel Maharero, leader of the local Herero people. Due to ongoing struggles between Leutwein and Maj. Dietrich Baumhauer, the leader of the local militia, Conrad and Sybille are sent to negotiate with Maharero. Conrad soon rushes back to Leutwein, leaving Sybille with plans to reunite in Windhoek later, and he soon finds himself in the midst of a rebellion that results in Leutwein’s resignation and Conrad’s promotion to the Colonial Office’s Chief Expert under Gen. Lothar von Trotha. A battle with the Herero then ensues; Conrad receives a debilitating leg injury and is saved by his cousin Georg, who’s stationed in Windhoek. Von Trotha employs aggressive, inhumane tactics: “The Hottentots are savage and cowardly dogs,” he says at one point, employing an offensive term for the local inhabitants. “Murderous, villainous cannibals that must be put down!” Meanwhile, Conrad uses his new authority to track down the missing Sybille. Overall, Williamson deftly weaves an engaging story of adventure while taking care not to minimize the horrors inflicted upon the region’s people by Western European colonists. Readers may take exception to the fact that the story is told entirely from Conrad’s viewpoint; the author, in an afterword, notes this: “I have attempted to use my own lens to turn the white knight trope upside down and show how utterly helpless, out of place and unwanted such a ‘hero’ is.” The story’s structure is easy to follow, and although the author employs a certain amount of creative license to sustain the plot (the real-life Maharero didn’t have a German wife and a daughter named Sybille, for instance), it’s still firmly anchored in historical fact, including the horrific Battle of Waterberg, in which thousands of Herero soldiers and their families were killed.
A fast-paced, easily digestible historical epic.Pub Date: Dec. 12, 2023
ISBN: 9798350930801
Page Count: 458
Publisher: BookBaby
Review Posted Online: Jan. 29, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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