Bravery and determination prevail in this inspiring tale of unconventional leadership.
A young Mexican freedom fighter proves that traditional gender roles aren’t important—heart is.
Born in 1911, Jovita Valdovinos was just 14 years old when the resistance that would later become the Cristero Revolution began in her rural community. The newly installed socialist government was cracking down on religious freedom, and many of Mexico’s poor were beginning to fight back. Jovita longed to support her father and two brothers in the fight, but her father wouldn’t permit it. Eventually, he allowed her to accompany him as an observer, but she would not be allowed to fight. Jovita learned strategies as well as the topography of the land on these trips, and she still yearned to become a soldier. The years brought devastating loss and hardship, and Jovita became resolved to lead the revolution. Cutting her hair, donning pants, and adopting the name Juan, Jovita charged into battle at the head of a peasant army. An afterword contains a more detailed biography of Jovita Valdovinos—a distant relative of Salazar’s—and her incredible heroism. Gracefully told, with deft use of figurative language, the story is mesmerizing, bringing to life this chapter in history by focusing on one incredibly relatable, resolute individual. The illustrations are replete with vivid hues and bold brushstrokes that convey energy and movement. (This book was reviewed digitally.)
Bravery and determination prevail in this inspiring tale of unconventional leadership. (author’s and illustrator’s notes, photographs) (Picture-book biography. 6-10)Pub Date: March 7, 2023
ISBN: 9781338283419
Page Count: 48
Publisher: Scholastic
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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