by Yepoka Yeebo ‧ RELEASE DATE: Aug. 1, 2023
Utterly absorbing.
For two decades, a Ghanaian con man surfed a wave of lies and luck, living large on multiple continents while swindling “millions upon millions of dollars.”
“This is a story of how lies change history,” writes Ghanaian journalist Yeebo. The lies at the center of her story are those of Dr. John Ackah Blay-Miezah, whose name and title were both lies. He claimed to hold the key to the (nonexistent) Oman Ghana Trust Fund, billions of dollars supposedly spirited out of Ghana by its first president, Kwame Nkrumah, and held in Swiss banks, ensnaring investors in a classic fraud. Yeebo makes clear that Blay-Miezah’s lies were founded on other lies—first those of the British colonizers, who “siphoned off over 150 million pounds” that were to have been held in reserve pending independence, and then those of the U.S. and British governments, which helped engineer the 1966 coup that toppled Nkrumah. The racism that underlay these actions also propelled many of Blay-Miezah’s investors, who “saw [him] spinning a tale about darkest Africa, untold wealth, and a corrupt leader….[T]he story—and the man—fit their preconceptions like a dovetail joint.” The great tragedy, writes the author, is that Blay-Miezah’s lies have become one of Ghana’s foundational myths. It’s an incredible story, told with muscular acerbity and populated by secondary characters as compelling as the leading man. There’s the diplomat duo of Shirley Temple Black, U.S. ambassador to Ghana, and Ebenezer Moses Debrah, Ghana’s former ambassador to the U.S.; Gladys Blay-Miezah, Blay-Miezah’s second wife, whose ability to track down her philandering husband earned her the nickname Columbo; and Joe Appiah, who successfully prosecuted Blay-Miezah in Ghanaian court only to see him freed after a brutal coup. Even as she catches readers up in what often reads like a breathless caper, the author takes care to ground them in what matters most: Ghana and its sadly “fragile” history.
Utterly absorbing.Pub Date: Aug. 1, 2023
ISBN: 9781635574739
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: April 5, 2023
Kirkus Reviews Issue: May 1, 2023
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Best Books Of 2017
New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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