This Oscars history mixes all the expected glitz and glamour with enough industry intrigue to power an award-winning drama.
Behind the scenes at the Academy Awards.
Regardless of your interest in Hollywood and awards season, this rich, deeply reported history has plenty to teach. New Yorker writer Schulman, author of Her Again: Becoming Meryl Streep, looks at the awards through a variety of lenses, including artistic, business, political, and cultural. “The Oscars are a battlefield where cultural forces collide and where the victors aren’t always as clear as the names drawn from the envelopes,” he writes. The author illuminates these battles with compelling insider stories. His explanation of 1989’s “Worst Oscars Ever”—infamous for the raucous opening featuring Snow White and Rob Lowe—reveals the micromanaging influence of producer Allan Carr. Schulman also demonstrates Carr’s influence on other parts of the ceremony that continue today—e.g., announcing winners with “And the Oscar goes to…” and creating a fashion event where designers battle to get starlets to wear their gowns. The author shines brightest in his firsthand accounts. His coverage of the entire #OscarsSoWhite controversy, and changes that came with it, focuses on Academy President Cheryl Boone Isaacs and her decision-making. His reporting on the Moonlight/La La Land best picture mix-up definitively explains the hand movements that caused an accountant to give presenter Warren Beatty the envelope for best actress by mistake. Even when he seems like he’s gone too far, such as titling the chapter on Black Oscar winners “Tokens,” Schulman’s incisive reporting backs up his hypothesis. “For McDaniel, for Poitier, for Berry, the Oscar came to symbolize not progress but false promise—a chance for Hollywood to congratulate itself and then go back to business as usual while the winner was left isolated and open to public attack,” he explains. And yes, Will Smith’s slap of Chris Rock makes it into the book but only in the afterword.
This Oscars history mixes all the expected glitz and glamour with enough industry intrigue to power an award-winning drama.Pub Date: Feb. 21, 2023
ISBN: 9780062859013
Page Count: 608
Publisher: HarperCollins
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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